Saturday, February 27, 2010

Last weekend for Rep's Romeo & Bernadette

Repertory Philippines' critically acclaimed production of Mark Saltzman's comedy musical "Romeo & Bernadette" will have its last performances at the OnStage Theatre, Greenbelt 1, Makati City on February 26 to 28, 2010.

"In a season of must-sees such as 'Rent' and 'Cats,' Repertory Philippines' 'Romeo & Bernadette' is up there with the best of them," according to The Manila Times.

Stir.Ph comments, "It's a great twist to the Shakespeare classic!"

In this romantic comedy, Romeo did not die from drinking poison, as originally written by William Shakespeare. It appears it was not poison that he took but a sleeping potion that put him to sleep for a few centuries.

Fast forward to circa 1960, Romeo wakes up from a long slumber and meets a woman whom he believes to be Juliet. However, Juliet is really dead and the woman Romeo thinks to be the love of his life is really Bernadette, daughter of the infamous mob leader Sal Penza in Brooklyn, New York.

Not wanting to believe Bernadette's explanation, Romeo follows and chases after Bernadette from Verona to Brooklyn, and finds himself in the company of Sal Penza's rival family, Don del Canto. No matter in what era Romeo belongs to, he seems to be always involved in a pattern of feuding families. But unlike Shakespeare's tale, Saltzman's version ends up with a happy ever after.

PJ Valerio plays Romeo, while Cris Villonco takes on the role of the vulgar, sexy, spoiled brat Bernadette. Romeo's counter ego Dino del Canto is brought to life by Red Concepcion; the hopeless romantic Donna played by veteran actress Liesl Batucan.

Generating a lot of infectious laughter from the audience is crowd favorite Rem Zamora, who essays a multitude of minor but very memorable roles. Rem proves there are no small roles, only small actors. Everybody is amazed at how he changes into his roles and costumes, assuming a totally different character in a snap: an accordionist, an opera-style singer, a nervous airport immigration agent, a gay flamboyant florist, an Irish priest, a dominating female dance instructor, a female dressmaker, and a father to Donna.

For last weekend tickets, call 8870710/8919999. Visit repertory.ph or www.ticketworld.com.ph.


PETA summer theater arts workshops

The Philippine Educational Theater Association (PETA) annual Summer Theater Arts Workshop offers creative learning in a fun and active way.

PETA's Children's Theater Courses enable children to explore and experience music, movement and dance, visual arts, storytelling, drama improvisation, poetry and short story writing.

Coupled with lots of fun and games, PETA's creative processes will also develop and enrich every child's imagination, inspiration, self-confidence, self-appreciation and appreciation of others, nature and culture.

The Teen Theater Course challenges the experimental and adventurous nature of the youth through the unique PETA Integrated Theater Arts approach. The course mixes creative drama, creative sounds and music, creative writing, creative body movements and dance, visual arts as well as improvisational theater and new media, allowing teens to express their talents and articulate youth power as they mount their own original piece on relevant youth concerns as part of their recital.

Young aspiring actors, from 17 years old and up, can acquire fundamental knowledge, skills and attitudes in improvisational theater production, theater history, theater appreciation, aesthetics and criticism through the Theater Arts Course.

PETA is also offering various advanced courses. The Basic Acting Course features a series of dialogues with seasoned theater artists, coupled with motivated acting exercises that can turn anyone into a budding stage actor.

The Creative Musical Theater course has sessions on voice, composition, and performance and various music explorations, while Creative Dance Theater explores body and movement as media of artistic expression, and examines the rudiments of movement as a way to tell stories using various dance forms.

PETA's Creative Pedagogy course is a special course for formal and non-formal teachers and educators that demonstrates various creative methodologies, approaches and philosophies in the teaching of arts and academic subjects.

All workshops will begin on April 13, 2010 and will end on May 15, 2010, except for the Creative Pedagogy course, which will start on May 17, 2010 to May 21, 2010. Enrollment starts on February 16, 2010.

For more information, contact Julie Bautista and/or Meann Espinosa at The PETA Theater Center, 5 Eymard Drive, Brgy. Kristong Hari New Manila, Quezon City, 7256244 / 4071418 / 4100821 / 0916-5805153, or email petampro@yahoo.com.


Thursday, February 25, 2010

Video: Shake Body Body Dancer? It could only be... Maricel Soriano!

Actually, the song's correct title is Body Dancer, by the now-obscure '80s group Magic Fire. Many of us who grew up in that decade will never forget Maricel Soriano dancing to this tune. It was her signature dance piece, along with another massive '80s hit, Rico Mambo.

Well, lookie what I found recently: a DVD copy (recorded from Cinema One!) of one of the defining movies of the '80s, Luciano 'Chaning' Carlos' Jack en Poy, where Roderick Paulate played the swishy Poy to Maricel's tomboy Jack. I saw the movie in high school, and all I remember of it is Roderick's unforgettable entrance as he went down the gangplank of the ship that brought him back to Manila. He carried a three-layered umbrella, had a long flowing white scarf trailing behind him, and fuchsia tights to match his hot pink tube dress.

It is, in my opinion, the most fabulous entrance by any actor in Philippine movie history. I'll prove it to you next time with a video clip. For now, let's focus on Maricel--specifically, the big musical number in Jack en Poy where she performs her iconic hip-grinding dance moves. I had completely forgotten that something like this sequence existed in the film. So when it flashed onscreen, I was on the floor in seconds, laughing and shrieking.

Here it is--beginning with Maricel's emo moment before the mirror as she begins to imagine what it's like to be a girl. More than two-thirds into the movie, she has slowly shed her butch ways and is warming up to her perennial ka-loveteam, the hammy William Martinez. Her muni-muni then segues into the grand musical number that's supposed to unveil, finally, the glamourpuss behind that tough, tomboyish mien.

The music, by the way (after the reworked Pink Panther Theme intro) is a medley of Body Dancer and O La La, by--wait, I know this!--Finzi Kontini. The headbands! The hairdos! The blazers! The baston pants! Yep, I'm so '80s. Enjoy!



Xavier School's Joseph and the Amazing Technicolor Dreamcoat

Xavier School's theater troupe, Stage FX, is mounting a production of Andrew Lloyd Webber's "Joseph and the Amazing Technicolor Dreamcoat" on Friday, February 26, 7 p.m., and Saturday, February 27, 3 p.m. and 7 p.m.

See the singing and dancing Xavier high school boys take on Lloyd Webber's memorable music and Tim Rice's playful lyrics in this musical retelling of the bible story.

Tickets at P150 each. For tickets, please call EJ (0922-8469757) or Maan (09266903642). This is an amateur production presented by arrangement with The Really Useful Group Ltd.


Tuesday, February 23, 2010

Unhinged--and wrong

Lipa Archbishop Ramon Arguelles, vice chairman of the Catholic Bishops' Conference of the Philippines-Episcopal Commission on Family and Life, is.

Listen to him denounce Health Secretary Esperanza Cabral over Radio Veritas for having distributed condoms to the public last Valentine's Day to raise awareness about HIV-AIDS.

Sana po magbago na siya (Cabral) dahil ang isang paa niya ay nasa impyerno na. Baka marami pa ang madamay.

ANG ISANG PAA NIYA AY NASA IMPIYERNO NA.

I didn't think the Church could go lower after the patently idiotic call last week--by the same bishop--to include a mandatory warning on condom packs saying that “'Condoms May Fail to Protect From AIDS.” His explanation: “Since condoms at times fail to protect against pregnancy... they could also fail to stop the transmission of the human immunodeficiency virus or HIV, which causes AIDS.

Yesterday, he repeated that assertion more vociferously. “Napaka-imoral para sa nanunungkulan sa gobyerno na paigtingin ang pamamahagi ng condom na alam naman natin na hindi totoong mababawasan o mapipigilan nito ang pagdami ng HIV-AIDS.” [Boldface mine.]

What is Arguelles' basis for his claim? He offers none. He believes that, by sheer reckless assertion, something that's been proven by study after study can somehow be overturned, rendered untrue, and that we the Church's docile subjects would accept his fact-free pronouncement without a peep.

Here, for instance, is the Centers for Disease Control and Prevention, the world's leading authority on the subject:

Latex condoms, when used consistently and correctly, are highly effective in preventing the sexual transmission of HIV, the virus that causes AIDS. In addition, consistent and correct use of latex condoms reduces the risk of other sexually transmitted diseases (STDs)...

There's more here. The CDC is honest enough to include the qualifier that consistent and correct condom use “can reduce (though not eliminate) the risk of STD transmission.” But note how Arguelles, with no qualifying nuance, asserts the opposite by force of self-willed ignorance alone--and he even presumes to speak for the rest of us: “Alam naman natin na hindi totoong mababawasan o mapipigilan nito ang pagdami ng HIV-AIDS.

Excuse me po, iba ang alam namin. After all, when it comes to the science of health and disease, whom would you believe--the CDC or the Archbishop of Lipa?

And since Arguelles has suddenly found it convenient to insist on a non-negotiable 100-percent efficacy rate for preventive measures like condom use--anything less doesn't count for a perfectionist like him--let's stretch the argument further. I'm all for adopting Arguelles' suggestion, IF it applies across the board.

No medicine ever claims to be 100-percent effective. Why not slap a mandatory government warning, too, on every manner of tablet, capsule or syrup, to tell sick people they shouldn't put much faith on them because of the probability--small, but there it is--that these drugs won't really make them well?

A popular metaphor for this debate: What about helmets for motorcycle riders? They're not 100-percent effective, either. Quite a number die from road accidents even with helmets on. Hey, Arguelles has a brilliant solution: Slap a “Failure” warning on every helmet sold in the market!

Now, last week's report also said the bishops told the DOH “[it] could help stem the spread of the disease by boosting the Church's campaign to get the youth to practice abstinence.”

Ah, those abstinence-only programs the Church enshrines as the answer to runaway hormones in the young. From the Washington Post--kung nagbabasa lamang ang mga obispo:

A long-awaited national study [1997-2007] has concluded that abstinence-only sex education, a cornerstone of the Bush administration's social agenda, does not keep teenagers from having sex. Neither does it increase or decrease the likelihood that if they do have sex, they will use a condom.” (Boldface mine. More here.)

Going by Arguelles' logic, any abstinence-only program must also carry the warning: “May Fail to Protect From Pregnancy and AIDS.” Fair is fair, right?

And while we're at this, how about the rhythm method, the only family-planning method sanctioned by the Church? From the Gale Encyclopedia of Medicine: The rhythm method is “The oldest method of contraception with a very high failure rate, in which partners periodically refrain from having sex during ovulation. Ovulation is predicted on the basis of a woman's previous menstrual cycle.” [Boldface mine.]

And from the McGraw-Hill Concise Dictionary of Modern Medicine: “A form of natural family planning, and the contraceptive method sanctioned by the Catholic Church, in which unprotected intercourse is allowed shortly after a menstrual period or before the onset of the next period; the RM is the least effective form of contraception...” [Boldface mine.]

So, Your Excellency, where is the obligatory “May Fail” warning on this epic-fail contraception method you so favor? Or, let me guess--You've never done a study on its efficacy, because the results--the truth--may just be too scary for you.

The grossly uncharitable way Arguelles and his ilk are demonizing Esperanza Cabral for distributing condoms-- How's that again? “Ang isang paa niya ay nasa impiyerno na!”--would make you think she's guilty of the most heinous crime ever committed in this country. But think about it: The highest official of the land is caught--on tape--stealing the elections, the most sacred public exercise in a democracy. Did we hear Arguelles and the CBCP damn GMA to hell? And I mean with the same intensity of crude hatred and fire-breathing contempt he's now smearing Cabral with.

The lack of proportionality and perspective is striking. We've endured wave after wave of shocking scandal and controversy these past years, ranging from plunder to kidnapping, from mind-boggling thievery to a massacre the rest of the world recoiled in horror from. What have we heard from our all-knowing pastors except pathetic bleating about how the rancor in public life has become so “personal,” along with hectoring, deranged finger-wagging such as “When you tell the truth, see to it that there is no damage done on the person told to or about?”

But trust our cowed and co-opted bishops to find their easily offended gander all of a sudden when the issue turns to... rubber. The blood rushes forth, the cheeks reacquire color, vigor returns. This, it seems, is their Viagra. Seriously, what is it about condoms, contraceptives and sex that render these charity-spouting men of God unhinged and frothing in the mouth?

If I were in the business of composing warnings myself, I'd say: Treat sex as unclean and unhealthy, deprive yourself of it but then pontificate as if you're the expert, and you'd end up like these cold, embittered, obscurantist clerics.

Let their medieval ideas run our public health policy, and we don't need to wait for the afterlife to experience hell. Can anything be more mala-impiyerno than having latter-day Torquemadas in our midst, turning a blind eye to--accommodating, in fact--much greater evil and perfidy in the world while condemning anyone as the spawn of the Devil for using... condoms?

Pinoy kids 10-16: Wanna be the first Filipino flag-bearer at the FIFA World Cup?

A Filipino child will get the chance of a lifetime to experience the 2010 FIFA World Cup live on the pitch in South Africa.

Sony Ericsson has opened a video competition that will bring the country’s first FIFA flag bearer to a FIFA World Cup match in July, marking the first time the country will participate in the global sports event.

The competition dares Filipino children aged 10-16 years old to creatively answer in a 30-60 second video,
“Why I deserve to win the Sony Ericsson Search for the FIFA World Cup flag-bearer.”

Act, dance, illustrate, sing or perform your reasons on the video. Or show off your best football moves to impress the judges. Get family and friends and play around, do fancy footwork or put on some Shakespeare. Just remember to have fun and use your imagination.

Contestants can submit as many entries as they want. Video entries are accepted at www.clickthecity/sonyericssonfifa from now until March 5, 2010.

Starting March 8, 2010, five videos will be shortlisted for a new and final round of voting. The five finalists will each win the Sony Ericsson Kita, the gesture gaming phone wonder with 5-megapixel camera, photo geo-tagging, Net access, high quality media player and stereo speakers.

Sony Ericsson will let the public decide which child should carry the FIFA flag before thousands of spectators around the world in one of international sports’ most exciting events.

“Sony Ericsson was designated an official FIFA World Cup partner in 2008, allowing us this tremendous opportunity to participate in this unique way. This will be the first time for the Philippines to participate in a FIFA World Cup event so we are inviting Filipino children to try out and give it their best,” said Dennis Manzano, Sony Ericsson General Manager.

The winner, together with his parent or guardian, will fly to South Africa complete with hotel accommodations and pocket money. In an inspiring moment at the semi-finals, the winner will walk the pitch with other young flag bearers and watch a thrilling FIFA World Cup semi-finals match firsthand.

Visit www.clickthecity/sonyericssonfifa to learn more. Registered voters on the site also get a chance to win the exclusive Sony Ericsson Team Pilipinas shirts. The winner will be announced on March 26, 2010.


Attention bloggers: Win a trip to the 2010 FIFA World Cup in South Africa!

Sony Ericsson is sending a winning Asia-Pacific blogger to the 2010 FIFA World Cup in South Africa.

To join this contest, simply share your local football story. It could be your first brush with a football (even if it wasn’t in a football game) or your first experience watching the game on TV. You can also share about how you first fell in love with the game, or how you and your pals have put together a competitive team, or even how you and your loved ones spend quality time together because of it.

Most importantly, it is YOUR account of what football means to you, right where you live. Here are 2 easy steps to enter:

1. Pen a blog post, photo story, video, slide show (anything!) about your local football story.

2. Email your blog’s link to extratime@waggeneredstrom.com by March 15, 2010. It will appear on http://www.sonyericsson.com/ExtraTime. The site will be launched by the end of February.

If your post is shortlisted by Sony Ericsson judges and then voted (by readers) as the best football story in the Asia-Pacific Region, Sony Ericsson will send you to football’s biggest event--the 2010 FIFA World Cup in South Africa!

The winner will get a new Sony Ericsson handset to document and blog about his/her experience on the road to South Africa in words, images and video. Share the stories of people across the globe as you watch the 2010 FIFA World Cup South Africa--live.


Saturday, February 20, 2010

What the stars say about Jamby, Manny, Eddie, Gibo, Noynoy, et al

So, so funny, I just had to repost. Got this via e-mail. Whoever you are who wrote this: Ba-ravo! Keep it up, you're helping keep us sane. My favorite bit: On Jamby--Kung may mga sanggol na ipinaglihi sa hilaw na mangga, maasim na siniguelas, o hinog na duhat, naniniwala ang mga bituin na ikaw naman ay ipinaglihi sa sama ng loob... Babala ng mga bituin: Chill. Hahaha.

[Update: It's by The Professional Heckler!]

ANO ANG SINASABI NG MGA BITUIN sa kapalaran ng siyam na kandidato sa pagkapangulo ngayong linggong ito? Narito.

Basahin, limiin, unawain, at seryosohin. Ngunit laging tandaan ang paalala ni Zenaida ‘Syzygy’ Seva, “Hindi hawak ng mga bituin ang ating kapalaran.. Gabay lamang sila. Meron tayong free will, gamitin natin ito.”

Ulitin natin. Pero sa pagkakataong ito, basahin nang malakas at imadyinin si Zenaida Seva habang binibigkas ang linya, “Hindi hawak ng mga bituin ang ating kapalaran. Gabay lamang sila. Meron tayong free will, gamitin natin ito.”

At inulit mo naman. Masunuring bata!

Noynoy Aquino
February 8, 1960
Aquarius:
Iwasang magtungo sa Quiapo. Baka mapagbintangan kang bumibili ng survey. Sa pag-ibig, magpapasya ka this week sa regalong ibibigay mo kay Valenzuela City Councilor Shalani Soledad sa Valentine’s Day. Huwag mo itong ipaalam kay Kris. Pagtatawanan ka lang niya at sasabihang “Gosh, how cheap!” Hahabol sa kasikatan ng “Nakaligo ka na ba sa dagat ng basura” jingle ni Manny Villar ang NOY|NOY! jingle kung saan tinangka mong mag-rap katulad ng idolo mong si Vanilla Ice. Ngunit makabubuting panoorin ang ginawa mong pagsayaw sa naturang patalastas. Ginawa na ni Villar ang ganyang gimmick noong 2007. Utang na loob, huwag mo nang ulitin. Mukha kang tanga! Sanga pala, may nag-text: “Patahimikin mo na kami. Huwag mo na kaming isali d’yan. Matanda ka na. Alam mo na ang dapat mong gawin. Good luck.” All the best, Daddy Ninoy & Mommy Cory

JC De Los Reyes
February 14, 1970
Aquarius:
Saludo ang mga bituin sa iyong tapang at determinasyong tumakbo sa pagkapangulo ng ating bansa. Ngunit mas sasaludo sila sa ‘yo kung ikaw ay uurong.

Joseph Estrada
April 19, 1937
Aries:
Hindi ka si Harry Houdini. Hindi ka rin si David Copperfield. At lalong hindi ka si David Blaine. Pero ang tanong ng mga bituin: bakit hanggang ngayon ay nabubuhay ka pa rin sa illusion? Patuloy na bebenta ang iyong mga jokes sa mga presidential forum. Ikaw ang aani ng pinakamalakas na tawanan at palakpak mula sa crowd. Subalit ipinapayo ng mga bituin na limitahan ang dami ng binibitawan mong jokes. Baka mapagkamalan kang si Dolphy at kunin kang endorser ni Villar.

Richard Gordon
August 5, 1945
Leo:
Bilib ang mga bituin sa talas at husay ng iyong utak lalo na sa mga debate at presidential forum. Ngunit mag-ingat sa napakabilis na pagsasalita. Baka malunok mo ang iyong maigsing dila. Iisa pa lamang ang successful tongue transplant sa mundo. Limitahan din ang paggamit sa Subic at Olongapo sa mga debate. Given na ‘yon. Sinuwerte ka lang dahil doon ka nahalal na alkalde. Kung ikaw ang naging mayor ng Siayan town sa Zamboanga del Norte na may poverty incidence na 97.46 percent, baka wala ring gaanong nagawa ang matabil mong dila. Isang unsolicited advice lang po mula sa mga bituin: palitan n’yo na ang iyong TV ad na ang musikang gamit ay “Silent Night.’ Pebrero na ngayon.

Nicanor Perlas
January 10, 1950
Capricorn:
May walong araw pa bago opisyal na magsimula ang campaign period kung saan inaasahang gagastos nang todo-todo ang mga kandidato. Dahil sa mababang rating sa survey, mahihirapan kang kumalap ng campaign contributions. Habang abala sa paghahanap ng financial support, makakatanggap ka ng ‘good news’ at ‘not so good news’ bago matapos ang linggong ito. Ang good news: susuportahan ka ng pamilya Ayala. Ang ‘not so good news’--ng pamilya ni Joey Ayala: karaniwang tao. Pinupuri ng mga bituin ang iyong mga nagawa bilang advocate ng malinis at maayos na kapaligiran at kalikasan. Dahil diyan, mananalo ka! Mananalo ka sa May 10... kung papayagang bumoto ang mga puno.

Gilbert Teodoro
June 14, 1964
Gemini:
Iwasang makunan ng larawan kasama ang isang babaeng may nunal sa kaliwang pisngi. May dalang kamalasan ‘yan. Mas lalong iwasang makunan ng larawan kasama ang isang ginoong napakalaki ng katawan ngunit napakaliit ng boses. Doble ang kamalasang dala niyan. Mauungusan mo sa susunod na survey sina Noynoy at Villar... kung sa La Salle campus gagawin ang survey. Posibleng umagaw ng boto sa ‘yo ang isang female presidential candidate na berde rin ang campaign color. Malas mo lang dahil pareho pa kayo ng gupit. Remedyuhan habang maaga.

Manny Villar
December 13, 1949
Sagittarius:
Sa pananalapi: napakasuwerte mo. Ni singko ay wala kang utang. Umuulan ang iyong pera kaya naman bumabaha ang iyong political ads. Dahil sa ‘yo, muling mag-iinit ang Senado sa linggong ito. Consistent kang tao. May isang salita. Hindi ka sisipot sa pagdinig ng plenaryo. Kaya’t patuloy na magtatanong ang taong-bayan: guilty or not guilty? Dahil sa patuloy na pag-iwas mo sa iyong mga accusers, malamang na iwasan ka na rin ng mga botante. Ang payo ng mga bituin: simulan mo na ang paghahanap ng tindahang nagbebenta ng suwerte. Kakailanganin mo ‘yan ngayong Mayo. Babala: kung ayaw mong umuwing may black eye, iwasan ang isang babaeng may initials na JM. May maitim siyang balak sa ‘yo. Matagal ka na niyang hina-hunting. Clue sa katauhan ng babae: mukha siyang lalaki.

Jamby Madrigal
April 26, 1958
Taurus:
Kung may mga sanggol na ipinaglihi sa hilaw na mangga, maasim na siniguelas, o hinog na duhat, naniniwala ang mga bituin na ikaw naman ay ipinaglihi sa sama ng loob. Tila malaki ang kinikimkim mong galit sa pulitiko man o sa mga kamag-anak mo. Isa kang ‘bully’ sa iyong past life. Babala ng mga bituin: Chill. Baka dumating ang araw na maubusan ka ng maaaway at ibaling mo ang iyong galit sa iyong sarili. Sa pag-ibig, walang gaanong pagbabagong nakikita ang mga bituin. Masyadong maulap ang aspetong romantiko ng iyong buhay. Sa pulitika, sinabi mo last week na hindi ka naniniwala sa mga surveys. ‘Wag kang mag-alala. Hindi rin sila naniniwala sa ‘yo! Quits lang pare.

Bro. Eddie Villanueva
October 6, 1946
Libra:
Ang katulad mong Born-Again Christian at spiritual leader ay hindi naniniwala sa mga hula. Ang sabi ng mga bituin: ‘Pwes, hindi rin kami naniniwala sa ‘yo.’ Wala kang horoscope!

Ballet Philippines' Neo-Filipino 2010

"Neo-Filipino 2010: Dance in a Time of Change"--the fourth and final offering in Ballet Philippines' 40th Anniversary Season--showcases cutting-edge contemporary dance choreographies that mirror our evolving times.

The show runs March 5, 6 and 7, 2010, at the CCP Little Theater.

Stemming from then-artistic director Denisa Reyes' landmark New York concert, the Neo-Filipino series had its first Manila production in 1991. Since then, the series has presented works by leading choreographers with collaborations from the other arts. Previous Neo-Filipino productions have highlighted collatorations with theater directors, filmmakers, visual artists, actors, sculptors and musicians in pursuit of a truly avant-garde and exciting vision for Philippine dance.

"Neo-Filipino 2010: Dance in a Time of Change" continues this tradition and culls dance from the myriad concerns of our evolving times. In this production, Ballet Philippines presents works by young choreographers whose aspirations embody the pulse of the age.

For inquiries and ticket reservations, call Ballet Philippines 5511003/8326011, CCP Box Office 8323704 or TicketWorld 8919999. Visit www.balletphilippines.org


Friday, February 19, 2010

The carnival's back--what we're up against

[Reposting--because those damn campaign jingles are rousing my mornings again. Gird your loins for the next months of muck.]


THEATER OF THE ABSURD
(May 12, 2007--Original post plus comments here)

Pinoy Politics came to roost on our doorstep last Friday. Literally, as the administration's Team Unity closed off a sizable portion of Pasong Tamo in Makati City, including the block fronting the Inquirer office, for their miting de avance.

Whoever organized the affair must have imagined himself a latter-day Cecil B. De Mille. A projected cast of thousands of Makati's dispossessed and Binay-disenchanteds was to have occupied the rows and rows of white monobloc chairs that stretched from the corner of Vito Cruz Extension all the way to Kalayaan Avenue. Scaffoldings with giant screens and loudspeakers were set up at every other corner. The side streets, which bore the brunt of the traffic gridlock all day, were simply closed off with steel barricades.

Friday is the day we close the Sunday Lifestyle issue--always the thickest issue of the week. I didn't have time to see how the rally was going until around 8 p.m. when we took a break for dinner. I looked down from a third-floor window, and the street below was already near-overflowing. Assorted starlets and no-name singers were warming up the crowd with bad Celine Dion impersonations.

I had thought my part of Makati--the shabby part, so near Ayala Avenue yet beset with squatters, bad roads, filthy dumps and chronic floods--was solid Binay country. This extravaganza was for Lito Lapid's candidacy as mayor and Oscar Ibay for congressman of the city's first district. Maybe the free sandwiches and fast food boxes distributed just across the Inquirer driveway did the trick?

Among those running in their ticket for councilor were two show-biz names: Monsour Del Rosario and Nonoy Zuniga. The youngest candidate, Ton Genuino, should not be in City Hall if only for his crime against good taste: his campaign jingle, a knock-off of Survivor's "Eye of the Tiger" ("Ton. Genuino. Idol ko. Sa Konsehoooo!") was the dumb campaign ditty that woke me up every frigging morning without fail.

So it was just as well I wasn't downstairs yet when Team Unity's senatorial candidates were introduced one by one. Because when Ralph Recto ascended the stage, his campaign jingle was... "Eye of the Tiger."

Can someone head-butt the gnomes behind this, please?

The host, a bombastic speaker with a gift for laughable hyperbole (he introduced the only woman in the councilors' ticket, Jessy Trinidad, as "ang Angel Locsin ng aming partido"), spent a good 20 minutes lambasting Ibay's opponent for the congressional post, re-electionist Rep. Teodoro Locsin Jr.

Locsin, he thundered, was "maputi, pero maitim naman ang budhi!"

Not only that, he claimed, Locsin also beat his spouse. "Ano ang tawag natin sa nambubugbog ng asawa? Supot!"

Huh?

When it was his turn to speak, councilor-aspirant Genuino couldn't summon the same elevated language. He proved to be a halting, rather nervous speaker with nothing remotely interesting to say.

"Kapag nanalo ho ako sa eleksyong ito--mananalo ho ba ako?!--at magha-house-to-house po ako para pasalamatan kayo, huwag niyo na ho akong tawaging Konsehal, Ton na lang po. Dahil po di naman ako tumakbo para maging boss o amo niyo, kundi para mapagsilbihan ko kayo. 'Yan lamang po ang gusto kong iparating sa inyong lahat. Pero bago ako bumaba... Gusto ninyo ba akong marinig kumanta?"

And so he did.

Angel Locsin, er, Trinidad, wasn't about to be upstaged by the pipsqueak vocals of her co-matinee idol. Called to say her piece some time later, she reeled off the same talking points, then: "Pero bago po ang lahat, gusto ninyo ba akong marinig kumanta?"

"'Wag na, 'yan na naman!" shouted an old woman behind me. Then the first bars of "Kailangan Kita" blared from the speakers. "Ay, buti naman iniba niya!"

Mike Defensor took a leaf from Ninoy Aquino circa 1978 for his appearance in this rally. He let his very young daughter campaign for him. A charming touch, except that, in her memorized spiel promising that her father would help build houses for the poor, the kid was made to ask the horde in front of her: "Sino po ba ang mga walang bahay dito?"

Of course, real stars were on hand to lend some glitter to the affair. Strictly low-grade, it turned out.

Ruffa Mae Quinto appeared in a dangerously low-cut black top and jeans, cracking jokes, warbling two songs and using her jiggling mammaries as a visual punchline. When it came time to endorse the ticket, she sidled up to one the older candidates, Dick Javier, and told the crowd, "Wag'po ninyo kalilimutang iboto si Nick... [Pause] Ay, Dick pala!"

Pokwang came next, followed by this starlet who tried to top the crudeness of the host's "supot" comment by engaging in a racy game with two spectators, one a young dancer and the other a thuggish-looking guy. The game, she explained, was "Habulan ng Kiss." While she sang, she pointed to a part of her body and asked the two men to attempt to peck at it while she slithered away. The older guy got so carried away that he managed to land smacks on the girl's neck and cheek. To which the girl shrieked, "Ang mamang 'to, ang libog!"

Rachel Anne Go, giggly and addressing the crowd as "Mga kapamilya, mga kapuso," served as the icebreaker to the rally's penultimate major moment, Ibay's speech. The candidate, a charter member of the Nanggagalaiti School of Public Speaking, promptly launched into a fiery harangue against his mayoral rival.

"Tapos na ang maliligayang araw ni Binay," he gloated. "Sa Lunes, may bago na kayong congressman, si Congressman Oscar Ibay!"

Few clapped, until he came to the part the audience was apparently waiting to hear.

"Pag ako na ang nakaupo sa puwesto, yang pabahay ninyo, aayusin natin yan! Ang mga gamot, titiyakin kong makakarating sa inyo! At libreng edukasyon para sa lahat!"

Ripples of applause.

I had to restrain myself from shouting, "Oy oy oy! Kausapin mo ang ingrown mo!"

But seeing that I was surrounded on all sides by possibly hostile elements, and fearing that I was about to lose my wits at the overwhelming tackiness, banality and bizarreness of the proceedings before me, I fled back to the office and cowered in my desk until after Lito Lapid had said his speech and the last of the concluding fireworks had been spent. It was 1:45 a.m. when they began packing up.

I laughed so hard I ended up crying.

Waiting for Godot

PLUS: Pinoy elections in living color!

[Photo 1: Rudy Esperas, copyright © Philippine Daily Inquirer]

Alternative publishing forum, Baguio scriptwriting workshop

1. PINOYPOETS and Ortigas Foundation, Inc. invite everyone to Alt+Pub: A Mini-Forum on Alternative Publishing, on February 20 (Saturday), 2 p.m., at the Ortigas Foundation Library.

The forum, which may also serve as a crash course on alternative modes of publishing, will have as it discussants Adam David, a poet who has published his works "alternatively;" Gilbert Monsanto, owner of independent publishing outfit Sacred Mountain; and Joey Blanco, general manager of Ultraprint.

The event is free, open to the public and is part of Mapping the Mind, a series of events celebrating Ortigas Foundation's anniversary month. For more information, e-mail mail@pinoypoets.com or call 0917-6934821.

2. U.P. FILM INSTITUTE, in cooperation with Dulaang UP Baguio & College of Arts and Communication & Baguio Writers Group, invite everyone to Baguio Found Stories: Advanced Scriptwriting Workshop with Bing Lao. The workshop is open to all; no script requirement.

Take the next step with multi-awarded screenwriter and script consultant Armando "Bing" Lao, whose works include Brillante Mendoza’s "Kinatay," Jeffrey Jeturian’s "Tuhog" Chito Rono’s "Itanong Mo sa Buwan."

The workshop is on April 5–10 (6 days), 1-4 p.m. (total of 18 hours), at UP Baguio. Course fee is P4,000, excluding transportation, lodging and meals. A P500 down payment is required to ensure a slot. Ten percent off for those who register (fully paid) before March 12, 2010.

Drop by UP Film Institute, 2/F Cine Adarna bldg. Magsaysay and Osmena Avenues, UP Diliman, QC. (Office hours 9 a.m.-6 p.m.) For Inquiries, call 9250286, e-mail upfi_workshops@yahoo.com.ph or visit www.upfilminstitute.net


Wednesday, February 17, 2010

Bonggang Bonggang Bamboo: the Tinikling Showdown--2 videos

The biggest gathering of Tinikling dancers I've seen, numbering a couple of hundreds, was the spectacular highlight of Pasinaya 2010: CCP Open House Festival two Sundays ago. Kudos to the kids, who were fetching to look at in their colorful native finery, for braving the noonday heat as they performed the dance on the CCP front lawn. Watch--the first video taken minutes before the show proper, and the second the big moment itself. Overall show honcho Chris Millado said the 7,000 entry bands they had prepared were all gone by midday, with more people dropping by in the afternoon. A strong opener to the National Arts Month this February.





PLUS: From Wikipedia--

The tinikling is an indigenous dance from the Philippines that involves two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance. The name is a reference to birds locally known as tikling, which can be any of a number of Rail species; the term tinikling literally means "tikling-like".[1]

Tinikling involves five steps; during the first four steps, the dancers dance opposite each other, and during the last step, they start from the same side of the poles. The dance originated in Leyte among the Visayan islands in the central Philippines as an imitation of the tikling bird dodging bamboo traps set by rice farmers. The bamboo is also used as a percussive instrument as it is banged against the ground (or a piece of wood to make it easier to hold) and each other in a pattern. The bamboo has to be closed hard enough to make a sound, and the dancers must be quick enough to not get their foot (or feet) caught. As the dance continues, the banging of the bamboo becomes faster and harder, the sound of the clashing bamboo and the quickness of feet demonstrated by the dancers thrilling and awing the crowd.


Dulaang UP's Ang Muntik nang Hindi Mapigilang Paghahari ni Arturo Ui opens tomorrow

Dulaang UP closes its 34th season with "Ang Muntik nang Hindi Mapigilang Paghahari ni Arturo Ui," a contemporary adaptation of Bertolt Brecht’s "The Resistible Rise of Arturo Ui."

Set amidst the economic turmoil of the 1930’s, the play chronicles the rise of Arturo Ui, a Chicago mobster, and his attempts to control the cauliflower racket. Brecht intended his play to be a satirical allegory of Adolf Hitler’s rise in Nazi Germany; this version puts a timely spin to the play by highlighting parallelisms between that era and present-day circumstances.

"Ang Muntik Nang Di Mapigilang Paghahari ni Arturo Ui" is directed by Alexander Cortez. Filipino adaptation by Katherine Sabate, Joshua So and Patrick Valera, original music by Diwa de Leon and choreography by Dexter Santos.

The show runs February 17-March 7 at the Wilfrido Ma. Guerrero Theater, U.P. Diliman, Wednesday to Friday, 7 p.m., and on weekends, 10 a.m. and 3 p.m.

For more information, call 0906-3848616 or the Dulaang UP Office 9261349, 9818500 local 2449 or 4337840. Established in 1976, Dulaang UP is the country’s premiere academe-based theater company.


UST Mediartrix mounts Chicago adaptation

Mediartrix, the university-wide multi-media organization of UST, will stage "Chicago," a musical adaptation of the film of the same title released in 2002. The show runs February 23-24, 10 a.m., 2 p.m. and 6 p.m., at the Albertus Magnus Auditorium, University of Santo Tomas.

Directed by Katherine Amiller and Gladys Pagdato, this revised "Chicago" stars student actors Charis Antalan as Roxie Hart, Alexa Bonnevie as Velma Kelly and Gilbert Arcilla Jr. as Billy Flynn.

For tickets, call Chem Poblete (0916-2543593) or Chino San Diego (0915-3090290).


Tuesday, February 16, 2010

You owe US an apology, you twat

Vice presidential bet Perfecto Yasay on Sunday apologized to his former boss, former president Joseph Estrada, for participating in his ouster through EDSA Dos.

Yasay, who was Securities and Exchange Commission (SEC) chief during the Estrada administration, made the statement during the 25th anniversary celebration of the Kingdom of Jesus Christ in Davao City.

"I would like to apologize for I have failed to ask forgiveness for what happened ten years ago. I have offended this man and I ask for his forgiveness," Yasay said during the program.

Yasay said he was "only used" in the "conspiracy" to oust Estrada.

"Please accept my public apology for being so naive... [for] allowing myself to be used by some to grab the presidency from you," he said.


That he would do it to court the votes of a religious group no one has heard of until this time makes him even more small and grasping. To now repudiate what he has done with a craven apology to Estrada, without accounting for the serious accusations of criminal wrongdoing he had detailed in the impeachment court--before us, the public--is to jerk us off and make fools of us. So you were only lying then, Mr. Yasay? Your dramatic testimony in the Senate was all just an act, a performance? If so, why the fuck should we believe what you're saying now?

This weasel has no business running for the country's second highest office. Finks like him, with their variable loyalties and double-crossing impulses, cannot be trusted. Shun him.

PLUS: As early as Jan 19, 2000, or way before Estrada's impeachment and EDSA Dos got underway, Perfecto Yasay had accused the President of "pressuring him to clear a friend accused in the country's worst insider trading scandal. Yasay is later forced to quit and the stock market flounders" (AFP archives). Also, "In his [Senate] testimony, Yasay revealed that the President wanted him removed because he was a hindrance to the Philippine Long Distance Telephone Co.-Metro Pacific deal. Yasay said the President introduced Dante Tan to him in Malacanang as a very good friend" (LawPhil.net).

Let him now explain how he could have concocted all these charges and why he took the nation for a monumental ride. He has much to answer for. Lest we forget: This country was nearly torn apart by the Estrada troubles.

Monday, February 15, 2010

Philstage bares 2009 Gawad Buhay! nominees

[Complete list of nominees below]

PRODUCTIONS AND artists of Ballet Philippines (BP), the Philippine Educational Theater Association (PETA), and Repertory Philippines (REP) topped the nominations for 30 categories up for grabs in the 2009 Gawad Buhay!: The Philstage Awards for the Performing Arts.

Now on its second year, Gawad Buhay! is the first-ever industry awards conferred upon outstanding individual and group achievements in the performing arts by PHILSTAGE member-companies. It is judged by an independent jury composed of critics, reviewers, educators, artists and aficionados.

With 13 nominations, BP’s Neo-Filipino leads the race, followed closely by PETA’s Saan Ba Tayo Ihahatid ng Disyembre? and Si Juan Tamad, Ang Diyablo at ang Limang Milyong Boto, with 12 and 11 nominations, respectively.

REP’s A Portrait of the Artist as Filipino weighed in with eight nominations to claim the fourth berth. Other major contenders include Ballet Manila’s Alamat: Gunaw at Sibol, PETA’s Ismail at Isabel, REP’s Sweeney Todd and Tanghalang Pilipino’s ZsaZsa Zaturnnah Ze Muzikal, with seven nominations each.

A dance trilogy that pays homage to the Filipino cultural heritage, BP’s Neo Filipino won citations for outstanding dance production; ensemble performance in a dance production; female lead performance in dance (Candice Adea for Amada); male lead performance in dance (Biag Gaongen for Amada and Ronelson Yadao for Ulaging); female featured performance in dance (Marian Faustino for Amada); male featured performance in dance (Lucky Vicentino for Ulaging); adaptation or translation (Alice Reyes for Amada); choreography for dance production (Alice Reyes for Amada); musical composition (Kalayo for Kati-Taog); costume design (Gino Gonzales for Ulaging); lighting design (Katsch Catoy); and set design (Gino Gonzales for Ulaging).

PETA’s Saan Ba Tayo Ihahatid ng Disyembre?, a psycho-emotional journey into the lives and loves of three people, earned the jurors’ nods for outstanding play production, stage direction (Nonon Padilla), ensemble performance in a play, male lead performance in a play (Lex Marcos, Juliene Mendoza and Jack Yabut), original script (Tony Perez), musical direction (Jed Balsamo), musical composition (Jed Balsamo), lighting design (Ian Torqueza), sound design (Aries Alcayaga) and set design (Salvador Bernal).

The individual categories yielded an exciting mix of nominations. pitting veterans versus relatively young bloods. In yet another surprising development, the jury elected to honor lone nominees in outstanding libretto (Vincent De Jesus for PETA’s Juan Tamad), and featured performances in dance (Marian Faustino and Lucky Vicentino for BP’s Neo-Filipino).

Fernando Josef, president of PHILSTAGE and artistic director of Tanghalang Pilipino, expressed satisfaction at the high level of artistry and steady patronage that performing arts productions achieved in 2009.

“Despite the economic and political crises, Filipino audiences have found the time to support Filipino artistic productions, particularly those that mirror present-day realities,” said Josef.

PHILSTAGE is the country’s only organization of professional performing arts companies with a regular season programming of repertory development and performance pedagogy training. Its Board of Directors include PETA’s Melvin Lee, vice president; Ballet Philippines’ Sandy Hontiveros, secretary; Repertory Philippines’ Gidget Tolentino, treasurer; Actors Actors’ Leonardo Lim, Ballet Manila’s Susan Macuja, Gantimpala Theater Foundation’s Tony Espejo, Organisasyon ng Pilipinong Mang-aawit’s Mitch Valdes, TRUMPET’s Joel Reyes, and PHILSTAGE Executive Director Elmar Beltran Ingles as members.

This year’s Gawad Buhay! jury is composed of Exie Abola, Walter Ang, Gibbs Cadiz, Ronald Elepaño III, Arvin Ello, Ralph Semino Galan. Rolando Inocencio, Glenn Sevilla Mas, Joy Parohinog, Joey Ting and Basilio Esteban Villaruz. As jury members, they were deputized to watch all productions of PHILSTAGE member-companies throughout 2009 and hold deliberations to come up with quarterly citations.

The date and venue of the awards ceremonies will be announced as soon as finalized.

THE COMPLETE LIST OF NOMINEES:

OUTSTANDING PRODUCTION OF A PLAY
A Portrait of the Artist as Filipino, Repertory Philippines
Madonna Brava ng Mindanao, Tanghalang Pilipino
Mga Mansanas sa Disyerto/Apples From the Desert, Tanghalang Pilipino
Saan Ba Tayo Ihahatid ng Disyembre?, PETA


OUTSTANDING MUSICAL PRODUCTION
Ismail at Isabel, PETA
Si Juan Tamad, Ang Diyablo at ang Limang Milyong Boto, PETA
ZsaZsa Zaturnnah Ze Muzikal, Tanghalang Pilipino


OUTSTANDING DANCE PRODUCTION
Alamat: Si Sibol at Si Gunaw, Ballet Manila
Masterworks, Ballet Philippines
Neo-Filipino, Ballet Philippines


OUTSTANDING STAGE DIRECTION
Jose Mari Avellana, A Portrait of the Artist as Filipino
Teresa Jamias, Mga Mansanas sa Disyerto/Apples From the Desert
Maribel Legarda, Ismail at Isabel
Phil Noble, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto
Nonon Padilla, Saan Ba Tayo Ihahatid ng Disyembre?


OUTSTANDING ORIGINAL SCRIPT
Vincent De Jesus, Si Juan Tamad, Ang Diyablo at ang Limang Milyong Boto
Tony Perez, Saan Ba Tayo Ihahatid ng Disyembre?
Rody Vera, Ismail at Isabel


OUTSTANDING ENSEMBLE PERFORMANCE IN A PLAY
Madonna Brava ng Mindanao, Tanghalang Pilipino
Mga Mansanas sa Disyerto, Tanghalang Pilipino
Saan Ba Tayo Ihahatid ng Disyembre?, PETA


OUTSTANDING FEMALE LEAD PERFORMANCE IN A PLAY
Liesl Batucan, A Portrait of the Artist as Filipino
Ana Abad Santos, A Portrait of the Artist as Filipino
Ana Abad Santos, A Streetcar Named Desire
Shamaine Centenera Buencamino, Madonna Brava ng Mindanao
Sherry Lara, Mga Mansanas sa Disyerto/Apples From the Desert


OUTSTANDING MALE LEAD PERFORMANCE IN A PLAY
Lex Marcos, Saan Ba Tayo Ihahatid ng Disyembre?
Juliene Mendoza,
Saan Ba Tayo Ihahatid ng Disyembre?
Jack Yabut, Saan Ba Tayo Ihahatid ng Disyembre?

OUTSTANDING FEMALE FEATURED PERFORMANCE IN A PLAY
Mailes Kanapi, A Streetcar Named Desire
Peewee O’Hara, Mga Mansanas sa Disyerto/Apples from the Desert


OUTSTANDING MALE FEATURED PERFORMANCE IN A PLAY
Chrome Cosio, Madonna Brava ng Mindanao
Dido Dela Paz, A Portrait of the Artist as Filipino
Jonathan Tadioan, Flores Para Los Muertos


OUTSTANDING ENSEMBLE PERFORMANCE IN A MUSICAL
Ismail at Isabel, PETA
Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto, PETA
ZsaZsa Zaturnnah Ze Muzikal, Tanghalang Pilipino


OUTSTANDING FEMALE LEAD PERFORMANCE IN A MUSICAL
Caissa Borromeo, I Love You Because
Menchu Lauchengco-Yulo, Sweeney Todd
Eula Valdes, Zsazsa Zaturnnah Ze Muzikal


OUTSTANDING MALE LEAD PERFORMANCE IN A MUSICAL
Nar Cabico,
ZsaZsa Zaturnah Ze Muzikal
Joey Paras, ZsaZsa Zaturnah Ze Muzikal
Audie Gemora, Sweeney Todd


OUTSTANDING FEMALE FEATURED PERFORMANCE IN A MUSICAL
Liesl Batucan, Sweeney Todd
Kyla Rivera, I Love You Because


OUTSTANDING MALE FEATURED PERFORMANCE IN A MUSICAL
Miguel Faustman, The Fantasticks
Franco Laurel, Sweeney Todd
Marvin Ong, Sweeney Todd


OUTSTANDING LIBRETTO
Vincent De Jesus, Si Juan Tamad, Ang Diyablo at ang Limang Milyong Boto


OUTSTANDING CHOREOGRAPHY FOR PLAY OR MUSICAL
Carlon Matobato, Ismail at Isabel
Dudz Terana, Phil Noble and Carlon Matobato,
Si Juan Tamad, Ang Diyablo at ang Limang Milyong Boto

OUTSTANDING CHOREOGRAPHY FOR DANCE PRODUCTION
Augustus Damian III’s Evacuation (in Ballet Philippines' Masterworks)
Alice Reyes’ Amada (in Ballet Philippines' Neo-Filipino)
Edna Vida’s Ensalada (in Ballet Philippines' Masterworks)


OUTSTANDING ENSEMBLE PERFORMANCE IN A DANCE PRODUCTION
Alamat: Si Sibol at Si Gunaw, Ballet Manila
Masterworks, Ballet Philippines
Neo-Filipino, Ballet Philippines


OUTSTANDING FEMALE LEAD PERFORMANCE IN DANCE
Candice Adea, Neo-Filipino
Lisa Macuja Elizalde, Don Quixote
Yanti Marduli, Alamat: Si Sibol at Si Gunaw


OUTSTANDING MALE LEAD PERFORMANCE IN DANCE
Francis Cascano, Alamat: Si Sibol at Si Gunaw
Biag Gaongen, Neo-Filipino
Ronelson Yadao, Neo-Filipino


OUTSTANDING FEMALE FEATURED PERFORMANCE IN DANCE
Marian Faustino, Neo-Filipino


OUTSTANDING MALE FEATURED PERFORMANCE IN DANCE
Lucky Vicentino, Neo-Filipino


OUTSTANDING ADAPTATION OR TRANSLATION
Alice Reyes, Amada (in Neo-Filipino)
Daisy Avellana, A Portrait of the Artist as Filipino
Liza Magtoto, Mga Mansanas sa Disyerto
Don Pagusara, Madonna Brava ng Mindanao


OUTSTANDING MUSICAL DIRECTION
Jed Balsamo, Saan Ba Tayo Ihahatid ng Disyembre?
Vincent De Jesus, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto
Vincent De Jesus, ZsaZsa Zaturnnah Ze Muzikal
Gerard Salonga, Sweeney Todd


OUTSTANDING MUSICAL COMPOSITION
Vincent De Jesus, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto
Vincent De Jesus, ZsaZsa Zaturnnah Ze Muzikal
Kalayo, Neo-Filipino
Mebuyan, Madonna Brava ng Mindanao


OUTSTANDING SET DESIGN
Salvador Bernal, Saan Ba Tayo Ihahatid ng Disyembre?
Gino Gonzales, Neo-Filipino
Jonathan Janolo, Alamat: Si Sibol at Si Gunaw
Boni Juan, Ismail at Isabel
Boni Juan, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto
Tuxqs Rutaquio, A Streetcar Named Desire/Flores Para Los Muertos


OUTSTANDING COSTUME DESIGN
Michael Angelo Albay, Alamat: Si Sibol at Si Gunaw
Gino Gonzales, Neo-Filipino
Gino Gonzales, Sweeney Todd
Boni Juan, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto


OUTSTANDING LIGHTING DESIGN
Katsch Catoy, Neo-Filipino
Martin Esteva, A Portrait of the Artist as Filipino
Ian Torqueza, Saan Ba Tayo Ihahatid ng Disyembre?
Jimmy Villanueva, Alamat: Si Sibol at Si Gunaw
Jonjon Villareal, Si Juan Tamad, Ang Diyablo at Ang Limang Milyong Boto


OUTSTANDING SOUND DESIGN
Lamberto Avellana Jr., A Portrait of the Artist as Filipino
Aries Alcayaga, Saan Ba Tayo Ihahatid ng Disyembre?
Gie Bernardo, Ismail at Isabel


[This announcement also appears in today's issue of the Philippine Daily Inquirer.]

Sunday, February 14, 2010

Love, dance away

When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call “white” is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion. It includes many feelings which, out of laziness and confusion, we crowd into one simple word.

Art is the prism that sets them free, then follows the gyrations of one or a few. When art separates this thick tangle of feelings, love bares its bones. But it cannot be measured or mapped. Everyone admits that love is wonderful and necessary, yet no one can agree on what it is. I once heard a sportscaster say of a basketball player, "He does all the intangibles. Just watch him do his dance."

As lofty as the idea of love can be, no image is too profane to help explain it. Years ago I fell in love with someone who was both a sport and a pastime. At the end, he made fade-away jump shots in my life. But for a while, love did all the intangibles. It lets us do our finest dance.


-- from A Natural History of Love, by Diane Ackerman

PLUS: “He have a lover”--that old tale, and my greatest hit.

Wednesday, February 10, 2010

On Manny, Gibo, Noynoy

All three in one ad. Wish ko lang. But why not?

Look at Jay Leno and David Letterman. Sniping rivals of late, they set aside the sourness and came together for a truly good joke. They even lassoed Oprah in. After the acrimony of the past weeks, it was good to see America's two biggest comics in one frame, the gesture making them suddenly much bigger than all their petty back-and-forth yapping.

Why not a public-service ad that gets Gibo, Manny and Noynoy--the three major candidates, so sue me, Dick Gordon--to agree on some things, but done in a hip, light, humorous way? Let's face it, at this point it'll be a fight between Villar (with his money), Teodoro (with his machinery) and Aquino (with his, uh, moral suasion). I'd like to see them in a bright, engaging commercial (none of that grim, sappy flag-waving, please--there are other ways to convey patriotism) where they pledge to:

1) not cheat their way to the presidency;
2) respect the outcome and work with the victor;
3) conduct a high-minded campaign;
4) clean the country afterwards of their election paraphernalia;
5) do all these simply because, like the rest of us, we love our country enough.

A pipe dream? Maybe. But among the impressions I got during the Inquirer presidential debate last Monday, where I had a front-seat view (literally--I was seated on the very first row, right side facing the stage, eyeball to eyeball with Manny Villar) was how sensible and reasonable these three candidates could be. Obviously they have big egos--it takes a particularly capacious one to aspire for the highest office in the land--but they also didn't strike me as the type scared to laugh at himself from time to time, or take things a bit less seriously.

Villar impressed me with his poise. In the face of Jamby's verbal cannonade, he kept his cool and maintained a blank expression. At one point he did break out into a sort of relieved, blissful smile while looking at someone in the audience. I discreetly turned around; it was his daughter Camille he was smiling at. I found the scene oddly touching--a father seeking solace in his daughter's non-verbal encouragement.

Gibo was cool, crisp, nuanced in his answers. On a personal level, there is much to like about this urbane, articulate man. If these were ordinary times, I'd be excited about him; the albatross of GMA, however, weighs him down, diminishes him. I wish someone had asked him how the Maguindanao-Ampatuan tinderbox had escaped his supposedly able tenure at the Defense Department. It was no oversight, of course; he was working for the murderous clan's biggest benefactor-cum-beneficiary.

I've posted this question on Facebook: If Gibo is so smart, as his ads tout him to be, how come the best he could come up with for VP is Edu Manzano? That is no idle question; it's a deal-breaker in my book. His first major presidential decision is a dud--a reckless, feckless and cynical one, the equivalent of John McCain choosing that yahoo in heels, Sarah Palin, to be his running mate for an America prostrate with two wars, a recession and a polarized body politic.

If Gibo says it was the party that chose Edu for him, too bad. What does that make him but a patsy of GMA and his minions? If he does say Edu is his personal choice and the best VP candidate in his estimation, too bad as well; his judgment needs to be called into question.

Think about it: In case something happened to President Gilbert Teodoro, would you entrust the country to Vice President Edu Manzano? A country, by the way, fraying at the seams with tremendous poverty, an endless insurgency, bouts of lawlessness and violence, rampaging hunger and joblessness and a contracting economy, a paralyzing sense of cynicism and corruption that threatens to make the country a failed state. We're in deep shit. Seriously now, would you put this country in the hands of Edu Manzano?

More crucially, with his choice, what does Gibo take us for? On top of being a deeply irresponsible decision, I say it's a supremely cynical move because the only reason going for Edu is his potential ability to tap into the mythical pull of show-biz on the masa vote. Edu as a celebrity will bring in his Tinseltown friends and the crowds will come. By this, Gibo and his camp are treating the elections as a game, nothing more. They'd sacrifice the long-term welfare of the country for short-term political gain. Which makes him more of the same kind of politician we've suffered for so long. But then, what can you expect with Ronnie Puno as your chief election strategist?

It's distressing that, until now, much of the media hasn't raised this issue with Teodoro. Or with Edu himself. Can you recall anything the guy has said lately about the major issues facing the country? Me neither. Make no mistake: The choice of VP is a crucial one, especially in light of recent history. Or have we forgotten that a big reason why GMA has been able to cling to her post despite the deluge of scandals and anomalies surrounding her reign is--there is no feasible replacement for her? The administration's sycophants themselves tried to scare us: Sinong gusto niyo, si Noli? Bahala kayo.

Many of us looked at her constitutional successor, an earnest man but a lightweight leader, swallowed hard and opted to live with GMA. By then she was a known quantity--ruthless, corrupt, brazen, but also (and this I give her) hardworking and hands-on as no other politician has been. Noli De Castro, with his inexperience, seemed a worse option. Thus, the lack of any viable alternative to her, along with our disdain for one more uprising that would then dash our hopes again, allowed the woman in Malacanang to serve out her term with increasing impunity, from the "Hello Garci" stolen elections to the ZTE scandal to the Lozada kidnapping to the Maguindanao massacre. What price we had to pay for a careless choice in the last elections.

As for Noynoy--frankly, he was rather disappointing in the debate. He had clear, workable ideas, but evinced no force of personality to convey them. Conrado de Quiros is right: Aquino's strength is in the symbolic weight of his presidential run. He is the torch-bearer of the only political legacy in modern Philippine history that succeeded in inspiring millions of Filipinos to abandon their indifference and hopelessness and work together for a cause. Has there been anything like the Cory phenomenon and the EDSA revolt, before or after?

To people who sniff that Noynoy offers nothing more than inspiration, I would argue the opposite: Inspiration is essential--in fact, it's the one element that's been lacking in our tacky, noisy, perpetually banal political discourse. After Cory (in the bloom of the yellow tide), we've not found a leader galvanizing enough and charismatic enough to make us forget our petty, parochial concerns and make us work for something much bigger than ourselves.

Noynoy, as chief steward of that legacy, has the potential to step into that role. My test for this is simple: Have all the candidates say on TV, direct to the camera, that they wouldn't steal a single cent from the public till while in office. Who do you think will come off as most credible?

Noynoy will, not only because he himself seems an upright, honorable man, but also because he is the son of Ninoy and Cory Aquino. Say what you will about Cory and her much-dismissed presidency, but you knew she was a decent woman who didn't plunder her office or cling to power beyond her term. That is a record her son would not soil; one cannot imagine Noynoy besmirching it. That is the heart of his appeal--and the seed of a campaign hoisted on inspiration.

Noynoy's candidacy should not primarily be about policy, but about leading by example. It should be about restoring the primacy of CHARACTER in leadership--more than competence or technocratic skills. GMA is, by any technical definition, a competent president. Look where it's gotten us. When Villar and Gordon ganged up on Aquino in an earlier forum, he riposted with exactly the right response. He had been a principled oppositionist to the long and blighted rule of GMA. But where was Villar when all the presidential crimes and misdemeanors were gripping the country? Where was the leadership he needed to provide?

In other words, as much as competence is important in governance, the current state of the country demands something more: character.

It is a test of character to stand up for what is right, even if it cast you out of official favor, cut off your pipeline to the powers-that-be, or threatened your place in the socio-political pecking order. Villar's spine was nowhere to be found at the moment it was needed, when GMA's misdeeds called for denunciation--but the act itself was most inconvenient, not to mention dangerous, for an ambitious politician averse to rocking the boat and thereby capsizing his long-planned presidential run. Gibo should be asked the question as well: What were you doing serving--enabling--the most despised, scandal-plagued administration in recent memory?

But all this is for naught, if Noynoy fails to step outside of himself and become a leader with gravitas. A naturally diffident man, like his mother was at the start of her campaign for president againt Marcos in 1986, he came off in the debate as tepid, underwhelming--bored, in fact, the way he looked at his watch a number of times. A no-no in debates, that; the first President Bush was adjudged the loser in his face-off with Bill Clinton the moment he looked at his watch, signaling his impatience.

Noynoy needs to engage more. I don't mean becoming as ebullient and show-biz-perky as Kris, only that to inspire others, he needs to look inspired himself. Otherwise, Villar--with his brilliantly conceived ads (getting the elusive Dolphy to endorse him was a masterstroke)--will define the debate with his rags-to-riches story (never mind the question of how he made his riches, or how he intends to recover the millions he has spent on his ads--businessman kamo siya, di ba?) and carry the inspirational banner all the way to Malacanang.

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