Thursday, October 28, 2010

The Nora-Vilma Christmas Carol Face-off: Vote nuh!

Blame Shopwise, which now plies hapless shoppers like me with Christmas carols non-stop. Hearing the walang kamatayang Gunter Kallmann Choir sing I Saw Mommy Kissing Santa Claus, I remembered this three-year-old entry and the giddy cheer it generated among the blog's early readers (check out the comments!). Well, time to bring it back! Maestro:


















Nora and Vilma, Vilma and Nora. The two most-awarded and most enduring stars of Philippine movies. Once upon a time, in their teeny-bopper years, they also cut music albums aside from starring in movies and television. Singing, of course, came naturally to Nora, who had kick-started her superstardom by winning in Tawag ng Tanghalan. It was infinitely harder for Vilma, who couldn't sing if her life depended on it. But warble she must, if she had to go toe-to-toe with her fiercest rival. So she also released her own albums.

Both of them would record their own take on the Jackson 5 Christmas hit, I Saw Mommy Kissing Santa Claus. Listen to them below and take your pick. Who's got the better version, Ate Guy or Ate Vi? 'Wag lang tumawa, vote nuh! (Finger pointing upwards.)










Here's Nora:












Here's Vilma:



Review roundup

Atlantis Productions' A Little Night Music:

Atlantis Productions and director Bobby Garcia never disappoint. Their version of “A Little Night Music” is one of the best local adaptations of a Broadway musical we’ve seen. The whole cast delivers superb ensemble acting but Dawn Zulueta singing the play’s most famous song, “Send in the Clowns”, is a truly magical moment in theatre. -- Mario Bautista, Showbiz Portal

Apart from the joyous and breathtaking performances and Mio Infante’s gorgeous chrysalis-looking set that encrusts the Carlos P. Romulo stage and paints the mood for each scene as it is transformed each time with Dong Calingacion’s lighting design, not to mention the powerful support from the likes of Teenee Chan and Raul Montesa, among other narrators in the show, accolades should be given to both Dawn Zulueta and Nonie Buencamino who, for this writer, are the luminous stars of “A Little Night Music.” -- Toff De Venecia, Philippine Star

Very well planned and executed, excellently cast with beautiful period costumes, a sparkling set and backdrop. What more can one ask? I urge you to go and see for a relaxing evening at the theater. -- Juan Antonio Lanuza, BusinessWorld

Under Bobby Garcia’s masterful direction, this urbane, witty, genteel musical comes to vivid life... The attention to production detail--the choreography, the set design, the lighting, the costume, and the music--is exhilarating. This is one glorious example of how the talent of Filipino stage artists can wrestle with, and conquer, tough material such as this. -- Phillip Cu-Unjieng, Philippine Star

[A Little Night Music is on its last weekend this Oct. 29-31 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City. For tickets, call Atlantis Productions 8927078 or 8401887.]

UP Filipino Department's twinbill Alimuom and Walang Maliw:

Staged in the intimate Tanghalang Hermogenes Ylagan, “Alimuom” (roughly, mugginess) is a monologue featuring a former military torturer inventorying the various methods he has applied in his career... Jonathan Tadiaoan deftly brought the torturer to life, though the monologue was staged in an unrelenting one-note of guilty anger, making it easy to space out at his ranting. “Walang Maliw” (roughly, unwaning) features a couple talking about their daughter who has disappeared five years hence... Millado employed a light touch with this piece, allowing Teroy Guzman (Daddy), Sherry Lara (Mommy) and Julia Enriquez (alternating with Kat Castillo), playing the daughter Leny, to highlight Aguila’s text with impactful subtlety. -- Walter Ang, Philippine Daily Inquirer

The two plays by Reuel Aguila--“Alimuom” and “Walang Maliw”--are... modestly staged but the performances are substantial. Veteran actors Sherry Lara and Teroy Guzman, and Julia Enriquez, Kathlyn Castillo and Jonathan Tadeoan acted out the scenes with just the right timbre of emotive exposition, letting the subtexts take the limelight. [In] “Walang Maliw,” the audience was unabashely moved, and some members sniffled throughout the show. As in “Alimuom,” the action of the play is inspired by real events and lived experiences, reimagined and reconfigured by Aguila to turn into drama of high order. -- Romulo P. Baquiran Jr., Malaya

[Reuel Molina Aguila's Alimuom will be showcased in “Alsa Balutan: 2nd Philippine Monodrama Festival.” Performances will be on October 28-29, 3 p.m., at the College of Saint Benilde. Free admission.]

Theater Down South's A Funny Thing Happened on the Way to the Forum:

Sondheim's “Forum” is all satirical wit and old-fashioned vaudeville comedy--the audience at the Sunday matinee laughed uproariously! Theatre stalwart Michael Williams mentors his junior thespian apprentices, and contributes a lot to this delightful madness! In "Forum", Mr. Williams challenges his young actors to create riotously irreverent Roman inspired characters with some of them very well executed on stage. -- Oliver Oliveros, BroadwayWorld.com/Philippines

Funny through and through... Take a break this weekend and get ready to experience the fun of watching this unforgettable comedy performed by its outstanding cast. -- Ruth Manimtim-Floresca, HerWord.com

[The closing performance of A Funny Thing Happened on the Way to the Forum is on Saturday, October, 30, 2010 at the Insular Life Theater Alabang. For tickets, contact Ticketworld 8919999 or visit www.ticketworld.com.ph, or TDS 5056380 or 0916-6436976 or visit www.theaterdownsouth.com.]

PLUS: Advance word on 9 Works Theatrical's The Wedding Singer, which opened last weekend and runs until November 14 at the Meralco Theater, here and here. Clipcast here. For tickets, call 5867105, 5575860, 0917-5545560. Visit www.9workstheatrical.com or call Ticketworld 8919999.

Tuesday, October 26, 2010

How Cherie Gil met Terrence McNally--in her own words

Terrence McNally with Cherie Gil, cradling the Tony trophy Mr. McNally won for “Master Class,” at the playwright's home in New York

The Philippine Star's Ricky Lo has run the photo above and a brief backgrounder, and BroadwayWorld.com's Oliver Oliveros has also written about the encounter here. So I thought I'd do something different. I'd invite Cherie Gil, the acclaimed star of Philippine Opera Company's production of Terrence McNally's Master Class, to tell us herself how she came face to face with the Tony-winning playwright whose words she had lived, breathed and brought to life (incandescently) on stage.

Because the pictures first came out in Cherie's Facebook page, I asked her permission if I could repost a couple in this blog. Apparently, I wasn't the only one interested; she went back to Mr. McNally to get his blessing before saying yes to the requests. Then, for good measure, she added: Send me your questions in the meantime.

Aha. That I did. While Cherie is still out of the country and in the midst of travel, she was gracious enough to take time to answer my questions. Her story now paints an exciting, engaging context to that beautiful photo showing her positively glowing, obviously ecstatic and honored at finally meeting Mr. McNally. And not a chance meeting, by the way--she was invited to the playwright's sanctum sanctorum, no less, in the house he shared with his partner Tom Kirdahy.

How the meeting came about
It was through Loy Arcenas, an established set designer here in NY who knew Terrence personally. He didn't tell me until I was in his lovely Soho apartment that he had sent Mr. McNally an e-mail to come for dinner. But, unfortunately, Mr. McNally was in the country that weekend. But in that e-mail he said he has heard a lot about the play and of my performance that he would be delighted to meet anytime in the week. So there! Loy introduced us both via e-mail.

It took me 2 days to muster some courage to write him. He gave his cellphone number, too, but I felt an e-mail was best to begin with. He immediately replied, and since I was then just coming back from Florida (where I was for 2 days to visit my eldest), and after a few more exchange of e-mails and numbers we finally set up to meet for Thursday sometime in the afternoon.

Thursday came and, as I was getting ready to take the train to the city, lo and behold my phone rang, and there he was! The voice of God, it seemed, calling me! I couldn't believe that HE, Mr, McNally Himself, would be calling to confirm the time and place and making sure I knew how to get there. He received me in his lovely home down University Place.


Her thoughts as she prepared for the meeting
I was nervous, of course! Excited! My heart was beating! I had one question, actually--the one thing that always plagued me when I worked on the [“Master Class”] monologue in Act 2: if he actually truly believed that Maria Callas had an abortion! (I never got to ask him that, though. Instead, I asked his partner Tom while Terrence was on the phone.)

The face-to-face
The meeting went so fast, so quick, but he was so warm, so accommodating in spite of his busy day. I decided before I buzzed him that I would just be myself and flow with the moment. The most important thing was to let him know how much it truly was a gift to be able to bring life into his words. I just had to give him a tight hug, and I did--teary-eyed, too. It was pretty emotional for me. He is the most humble, kindhearted, warm man I have ever met. So much wisdom in his eyes, and so selfless about wanting to share of himself and of his work. With the way he behaved, you actually forgot he is such a big and important man in the world of theater and film in the US.

How he heard of her and POC's Master Class
He heard of my performances because they had someone set up a Google alert where they get tags, and there they saw my pics! Thank God now for the Internet! According to both him and Tom, it was one of those very few times they actually had to stop and look at each picture closely, as they were mesmerized with the similarity. Though he admitted upon seeing me that I did not look at all like her in person, after all. And he was a bit surprised to know I had 3 kids, my eldest being 23. Hahaha.

Reminiscing about Callas, etc.
He shared how much he admired opera from the time he was 7 years old, growing up in Texas. How much he admired Callas and how he would line up for days to see her at the Met. He was very open, though, about admitting that when he finally met her in person, he didn't like her at all! I thought that was quite amusing to hear. He thought of her as somewhat crude in her manner. Not a lady at all, to quote him.

How she felt about the whole experience
Surreal! I was just totally bewildered and mesmerized. I felt and truly believed, from that moment on, that we are all connected somehow. No one is smaller or bigger than the other--just creatively and spiritually connected. And if anything is done with the heart and soul, then nothing is impossible! Everything is coming up ROSES from here on. Here's to hope and truly believing in oneself!

Lovely words. Thank you, Cherie, for the photos, and for sharing the story of this most special moment in your life. Congratulations!

Terrence McNally, Cherie Gil and Mr. McNally's partner Tom Kirdahy

Saturday, October 23, 2010

RP and Singapore talents collaborate on DragonTales, a new Asian musical

To be launched in the Philippines this November 2010 is “DragonTales,” a new musical produced by Asia On Stage that brings together the best creative minds of the Philippines and Singapore.

Nine of the show’s 10 actors are Filipino, most of whom are active names in the theater and television industries today: Kalila Aguilos, Banaue Miclat, Miguel Vasquez, Nar Cabico, Meann Espinosa, Lex Marcos, Carlon Matobato, Joel Molina and Neomi Tabanao-Gonzales.

Playing a key role as Miki is Gani Karim, a performer, choreographer and arts educator in his native Singapore.

Besides its top-caliber cast, the show also features original Asian music, dance and drama. The text will be in English, but its strong Asian sensibility will be seen in lavish costumes and musical numbers, spectacular dances and fight scenes, and a story that highlights dominant Asian values such as family, tradition, community and filial love.

The story revolves around a struggling writer, Miki who tells the tale of a magical Dragon Realm where his two alter egos, a young, impatient dragon, Tazarek (Miguel Vasquez), and his king-to-be half-brother, Siu Long (Joel Molina) fight to claim the dragon throne. Their battle reopens the wounds of their family’s past and the larger secrets of the Dragon Realm.

“DragonTales” is directed by Jeremiah Choy, a Singaporean director responsible for the critically acclaimed “Machine for TheaterWorks,” which won him Best Director in the 2002 DBS Life! Theater Awards. The music is composed and arranged by multi-awarded Filipino composer-lyricist-performer Vincent de Jesus.

“DragonTales” runs November 27-December 5 at the PETA Theater Center. For advance reservations and bookings, call (63-2) 8810984, 0917-5562718 or 0915-2957550, or e-mail dragontalesmanila@gmail.com.


Tanghalang Pilipino's new children's musical based on Virgilio Almario work

Through a grant from the National Commission for Culture and the Arts, Tanghalang Pilipino presents “Dugtong-Dugtong na Sumbong (Ang Hukuman ni Sinukuan),” the third production in its 24th Theater Season (2010-2011) that celebrates the National Artist as a “modern Filipino Idol.”

Adapted for the stage by Liza Magtoto, “Dugtong-Dugtong na Sumbong (Ang Hukuman ni Sinukuan)” is based on National Artist for Literature Virgilio Almario’s re-telling of the popular tale. It combines a folktale about the mosquito that is common to a lot of Asian countries with one that is uniquely Filipino, about the kingdom of Mariang Sinukuan in Pampanga.

With music by Jed Balsamo and production design by Patty Eustaquio, the play promises to be a fun and exciting feast for the senses, where set pieces ingeniously transform into costumes that turn actors into different characters right before the audience's eyes.

This musical play for children of all ages features actors who sing, move and play musical instruments while giving life to a variety of animal characters. The cast includes Nina Angela Rumbines (as Mariang Sinukuan), Abner Delina, Marc Anthony Falcon and Michael Ian Lomongo.

The production will be staged under the artistic vision of Tess Jamias, an alumna of the TP Actors Company. Her directorial work for TP includes “R.A.W.,” “The Lover,” “Pamaypay, Kutsilyo, Yantok,” and, most recently, “Apples from the Desert.”

“Dugtong-Dugtong na Sumbong (Ang Hukuman ni Sinukuan)” opens November 12, 2010, at 3 p.m. and will run until November 21, at the CCP Tanghalang Aurelio Tolentino (Little Theater). Morning shows (10 a.m.) on November 13, 14, 17, 18, 18, 20 and 21; and afternoon shows (3 p.m.) on November 12, 13, 14, 17, 18, 18, 20 and 21.

For ticket reservations, booking of special performances and other information, call TP 8323661/832-1125 locals 1620-1621, CCP Box Office 8323704 or Ticketworld 8919999.


Thursday, October 21, 2010

Sarah, Bituin, Mitch and Katy! -- the return

Nagbabalik, because this one-of-a-kind video clip disappeared from YouTube, along with about 93 others I had painstakingly uploaded over a 3-year period, when the site unilaterally cancelled my account. No use crying over that; I'm reassembling the clips and posting them again online one by one, starting with this precious moment.

[Original and complete blog post here. Excerpts below.]

In the recent stellar concert “Ryan Cayabyab: The Music Man at 50” at the Cultural Center of the Philippines, Escalante briefly stepped into the role of Katy once again, singing “Aba, 'Ba, 'Ba Boogie” like a force of nature, and in so doing gloriously reaffirmed her dormant claim to this role.

In a night that offered show-stopper after show-stopper in lavish tribute to the country's most well-known composer, Escalante's performance was a high point, a drop-dead incarnation of the combined genius of Cayabyab's music and Jose Javier Reyes' buoyant lyrics.

Too bad it was an all-too-brief moment, sandwiched as it was between the passable growling of Angelika de la Cruz (who played the teenage Katy), and the stirring take by Mitch Valdez on “Minsan ang Minahal ay Ako,” the now-classic stage anthem she and Celeste Legaspi sang in the original show. We never got to see that “Katy," but Valdez's spiky, atmospheric vibrato was enough to bring a glimmer of the magic that must have attended that legendary run...” (“Show-stopper after show-stopper,” PDI, Oct. 24, 2004)


One more valuable stage moment lost to fading memory, I had thought, until show producer Mickey Munoz lent me his DVD file of Ryan Cayabyab: The Music Man at 50 and gave me permission to post excerpts of the show in this blog...

Now it's my pleasure to share with you Bituin Escalante in the Katy! medley that I had raved about in my review. This time, you won't see Angelika de la Cruz as the teenage Katy, but--tadaaan!--Sarah Geronimo, who would sing a sensational Pahiram ng Kanta (she appeared on the first evening of the show, Angelika on the second). Her ebullient turn had me thinking that if Katy! got revived, say, a decade from now, Sarah would be perfect for the role. Just listen to her ditch the bland pop singing for once and roar her way through the big, brassy sound of 1930s bodabil (as Mr. Cayabyab had re-imagined it).

Casting, however, is a moot issue at this point. Musicat Philippines, the production company behind Katy! and other original Filipino musicals (Larawan, Alikabok, Kengkoy at Rosing), has stopped mounting shows due to prohibitive costs and sparse audiences. That is tragic news, because Musicat was the only theater company we had that was exclusively dedicated to creating original Filipino musicals.

We may never see a Katy! again in our lifetime, so enjoy this all-too-rare clip. (Sorry for the messed-up sound in some parts, couldn't clean it up.)



Performers: JM Rodriguez, Mickey Munoz, Raul Montesa, Topper Fabregas, 92 AD, Sarah Geronimo, Bituin Escalante, The Hotlegs, Mitch Valdez

PLUS:

1. Look closely at Jose Javier Reyes' lyrics for Aba, 'Ba, 'Ba Boogie. They not only capture in words the liberating sensations of an era-defining dance, they also demonstrate the versatility and range of our native tongue:

Kakawagkawag, kakalag-kalag
Paa ko'y napapalundag
Kakati-kati, kikiri-kiri
Malala 'to, napakatindi!

Parang kiti-kiting kinakati-kati
Parang paru-parong 'di mapakali
Kamay at paa, umeekis, sumasalisi
Aba, 'ba, 'ba, ano ba ito?
Aba, 'ba, 'ba, boogie!


2. Wondering how Mitch Valdez originally sang this song? Here, from the original cast album of Katy!



[video copyright © ABS-CBN]

Tuesday, October 19, 2010

23rd (2010) Aliw Awards--official list of winners

Winners in boldface. List made available by the Aliw Awards' Joey Nombres, director of the awards ceremonies (Thank you, Joey!). Productions and performers in consideration were from the period September 1, 2009-August 30, 2010. Congratulations to all the winners, especially the Virgin Labfest for its special citation!


BEST NON-MUSICAL PRODUCTION
Equus, Repertory Philippines
Carmi Martin, CCP Virgin Labfest
Ang Post Office, PETA
Suor Clara, CCP Virgin Labfest
Madonna Brava ng Mindanao, Tanghalang Pilipino
Mary Stuart, Dulaang UP

BEST MUSICAL PRODUCTION
Baler sa Puso Ko, Angara Foundation
Walang Sugat, Tanghalang Ateneo
N.O.A.H., Trumpets
Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto, PETA
Enzo Santo, Philippine Stagers Foundation
Beauty and the Beast, Gantimpala Theater Foundation

BEST ACTOR, NON-MUSICAL
• Miguel Faustmann, Equus
• Paul Jake Paule, Carmi Martin
• Bodgie Pascua, Ang Post Office
Bembol Roco, Balunbalunan, Bingi-bingihan
• Alex Cortez, Lulu
• Tuxqs Rotaquio, Lulu

BEST ACTOR, MUSICAL
• Roeder Camanag, Banaag at Sikat
• Al Gatmaitan, Baler Sa Puso Ko
• Rey Angelo Aurelio, Zwardeenah
Robert Sena, Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto
• Audie Gemora, Sweeney Todd
• Kierwin Larena, Enzo Santo

BEST ACTRESS, NON-MUSICAL
• Angelina Kanapi, Sundan Natin si Ever-san
• Frances Makil Ignacio, Suor Clara
• Cai Cortez, Ondoy
• Ana Feleo, Master Class
• Shamaine Centenera Buencamino, Madonna Brava ng Mindanao
Ana Abad Santos, Mary Stuart

BEST ACTRESS, MUSICAL
• Ayen Munji-Laurel, Banaag at Sikat
• Nikki Gil, Legally Blonde
Liesl Batucan, Baler Sa Puso Ko
• Sheila Francisco, N.O.A.H.

BEST STAGE DIRECTOR (NON-MUSICAL)
Lutgardo Labad, Ang Post Office
• Audie Gemora, Equus
• Paul Santiago, Carmi Martin
• Floy Quintos, Suor Clara
• Dexter Santos, Lulu
• Michael Williams, Master Class

BEST STAGE DIRECTOR (MUSICAL)
• Phil Noble, Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto
• Dan Rommel Riopay, Zwardeenah
• Chari Arespacochaga, Legally Blonde
Vince Tanada, Enzo Santo
• Jaime Del Mundo, N.O.A.H.

BEST CLASSICAL PERFORMER (Male)
• Dondie Ong
• Jonathan Badon
• Randy Gilongo
• George Yang
• Jon Joven
Arthur Espiritu

BEST CLASSICAL PERFORMER (Female)
• Fame Flores
Camille Lopez-Molina
• Lara Maigue
• Tea Perez
• Nenen Espina
• Karla Gutierrez

BEST CHILD PERFORMER
• Martin Delos Santos
• Gabby Bautista
• Jewel Tomolin
• Jude Matthew Sevilla
Mika Roi Torre

BEST NEW ARTIST
Jovit Baldivino
• Marvin Ong
• BenJ
• Aretha T. Anceo
• Catherine Loria
• Alakim

BEST NEW ARTIST (Group)
Juan Pablo Dream
• E L R 8

BEST CHORAL GROUP
• PAL Chorale
• PNU Chorale
UP Singing Ambassadors
• DFA Chorale
• Sta Teresita Choral Group

BEST DANCE COMPANY (Classical /Folk)
• Ballet Manila
• Philippine Ballet Theater
Halili Dance Company

BEST DANCE COMPANY (Contemporary/Modern)
Bungkos Palay
• Hotlegs
• EB Babes
• Airdance
• U.P. Filipiniana Dance Groupe

BEST CULTURAL GROUP
• Himig Ariel
• Tanghalang SLU-Baguio City
Quezon City Performing Arts Guild-Quezon City
• St Dominic Savio College Cultural Group
• Sining Kabpapagariya-General Santos City
• Dagway Sigmahanon-Capiz

BEST INSTRUMENTALIST
• Jay Cayuca
Nonoy Libanan
• Noelle Cassandra
• Ian Jacinto
• Mary Ann Espina

BEST EMCEE (Female)
• Issa Litton
• Ladine Roxas
• Toni Gonzaga
Miriam Quiambao
• Tessa Prieto Valdez

BEST EMCEE (Male)
Boy Abunda
• Luis Manzano
• Marc Nelson
• Sam YG
• Mo Twister
• Tim Yap

BEST STAND-UP COMEDIAN (Male)
Jon Santos
• Vice Ganda
• Ate Glow
• Pooh
• Chokoleit

BEST STAND-UP COMEDIAN (Female)
Beverly Salviejo
• K Brosas
• Pokwang
• Candy Pangilinan
• Tuesday Vargas

BEST CONCERT STAGE DIRECTOR
Louie Ignacio, La Diva
• Jobert Sucaldito, One Special Celebration
• Rowell Santiago, Mega Drama
• Rico Gutierrez, Record Breaker
• Bobby Garcia, Your Song

BEST MUSICAL DIRECTOR-CONCERT
Danny Tan, La Diva
• Louie Ocampo, Mega Drama
• Mark Lopez, Ogie Live With the Idols

BEST PERFORMER IN HOTELS, MUSIC LOUNGES, BARS (Female)
Christine Love
• Maricel Cruz
• Ana Castro
• Nona Galan
• Michelle De Guzman

BEST PERFORMER IN HOTELS, MUSIC LOUNGES, BARS (Male)
• Nyoy Volante
RJ Jacinto
• Noel Cabangon
• Arthur Manuntag
• Lemuel Santos

BEST PERFORMER IN HOTELS, MUSIC LOUNGES AND BARS (Group)
• Merks & Friends
Route 70
• Shane & the Brown Union
• Draybers
• Rhythm and Babes
• Flintstones

BEST PERFORMANCE IN A CONCERT (Male)
• Miguel Aguila
• Nyoy Volante
Richard Poon
• Nonoy Libanan
• Jed Madela

BEST PERFORMANCE IN A CONCERT (Female)
• Marissa Sanchez
Olivia
• Sitti
• Karyle
• Imelda Papin
• Verni Varga

BEST PERFORMANCE IN A CONCERT (Group)
• The CompanY
• Ryan Cayabyab Singers
La Diva
• Angelos

BEST COLLABORATION IN A CONCERT
Jose Mari Chan and Claire Dela Fuente, Simply Unforgettable
• Maricris Garcia, Jonalyn Viray and Aicelle Santos, La Diva
• Pilita Corrales and Rico J. Puno, Diva & D Debonaire
• Pilita Corrales, Mitch Valdez and Nanette Inventor, Juicy Cat Dolls
• Gabby Concepcion, K Brosas and Vice Ganda, Gabby K Ganda

BEST MAJOR CONCERT (Male)
Ogie Alcasid, Ogie Live With the Idols
• Vice Ganda, May Nag-text!
• Arnel Pineda, Journey

BEST MAJOR CONCERT (Female)
• Lea Salonga, Your Songs
• Sharon Cuneta, Mega Drama
Sarah Geronimo, Record-Breaker
• Charice, Valentine Concert

BEST COLLABORATION IN A MAJOR CONCERT
• Sitti, Aiza Seguerra and Juris, Sessionista
• Freestyle, Side A Band, Nina, Love 2 Love 2 Love
Gary Valenciano and Martin Nievera, As 1
• Basil Valdez, Verni Varga, Joey Albert, Gino Padilla, OPM Through the Years
• Martin Nievera and Pops Fernandez, Valentine Concert

SPECIAL AWARDS
Virgin Labfest
UST Singers

ENTERTAINER OF THE YEAR
Sarah Geronimo

Monday, October 18, 2010

Away, roughnesses and infelicities!

A good editor will also go beyond spotting and fixing technical problems in the text. He or she should be able to appreciate, respect, and harmonize the author’s intentions and the publisher’s or reader’s requirements. Above all, he or she should give the text the attention it deserves—to polish the draft to its finest form, clearing it of all roughnesses and infelicities, so that reading the text becomes a pleasure rather than a chore or a conundrum.

-- Jose 'Butch' Dalisay Jr., “Editing as a profession,” in yesterday's Philippine Star

PLUS: Reposting--my own process of editing Dear Migs, the MGG book

Orosman at Zafira returns February 2011, this time at SM Mall of Asia CenterStage

Dulaang UP, in partnership with Bit by Bit Development Company, is bringing back its blockbuster production of Francisco Baltazar’s “Orosman at Zafira” in February 2011. The show will run Feb. 4-February 26 for a total of 15 performances at the SM Mall of Asia CenterStage.

This production first ran in February 2008 and was re-staged in August 2010 to sold-out, standing-room-only performances at the Wilfrido Ma. Guerrero Theater, UP-Diliman. The contemporary adaptation directed and choreographed by Dexter M. Santos, with original music by Carol Bello, garnered nominations for both Best Musical Production and Best Stage Director at the 21st Aliw Awards.

This contemporary adaptation of Balagtas' text celebrates the uniqueness of Philippine culture through original music and dance. After it closed in August 29, 2010, Dulaang UP continued to receive numerous inquiries and requests from those who failed to catch it and even those who had already seen the show but wanted to watch it again.

Some of the rave reviews include:

“Brilliantly directed and choreographed by Dexter Santos, Dulaang UP’s 'Orosman at Zafira' was an exhilarating show that made Francisco Baltazar’s komedya not just accessible to contemporary audiences but also engaging and fun.” -- Walter Ang, Philippine Daily Inquirer

“'Musical' might not be the best word to use to describe Dulaang UP’s production of Orosman at Zafira, but whatever it is it is mesmerizing theater.” -- Exie Abola, Philippine Star

“A blazing musical-theater experience, and, not incidentally, a calling card for how disparate elements--Baltazar’s archaic Tagalog text, Bello’s neo-ethnic world music, Santos’ hybrid choreography--could create something uniquely, arrestingly homegrown, as far away from Broadway as could be.” -- Gibbs Cadiz, Philippine Daily Inquirer

For show-buying opportunities and ticket information, call 0917-8327946 (Darwin Mariano), 0917-8322756/0917-8427346/0922-8427346 (Carlo Francia) or e-mail darwin.mariano@gmail.com or cmaafrancia@gmail.com.



Maria Carpena Kundiman Song Festival pays tribute to first Filipino recording artist

This year, on October 22, the Philippines will commemorate the 124th birth anniversary of Maria Evangelista Carpena, (1886-1915), recognized as the first Filipino recording artist.

Dubbed as the “Nightingale of Zarzuela,” Maria Evangelista Carpena hailed from the towns of Sta. Rosa and Biñan, Laguna. Carpena was the very first superstar of Philippine entertainment. Her career, which spanned 13 years, was initially devoted to the stage. She was the lead star of Severino Reyes’ “Walang Sugat” in 1902, and other significant stage productions in the early 1900s. In 1908, she made the very first album recording done by a Filipino singer, under Victor Recording Company--thus making Carpena the First Filipino Recording Artist.

To commemorate her anniversary, the Sentrong Pangsining at Kultura Alaala kay Maria Carpena Inc. is holding the first Maria Carpena Kundiman Song Festival on October 22, 1-6 p.m., at Pavilion Mall in Biñan, Laguna. This festival aims to encourage the present generation to practice, value and develop traditional Filipino music. Educational institutions from Biñan, Sta. Rosa, and San Pedro will grace the event.

The Sentrong Pangsining at Kultura Alaala kay Maria Carpena Inc. is a non-profit cultural organization established in 2009 to keep alive the memory of Maria Evangelista Carpena. The group also aims to perpetuate traditional Filipino arts and culture, train and assist potential artists in the pursuit of development and excellence, instill in the hearts and minds of the youth the historic value of Filipino arts and culture, and give due recognition in the form of annual awards to deserving artists.

For more information, call Dr. Bimbo Sta. Maria (executive director) 0917-8472476 and BJ Borja (artistic director) 0917-3282582 or 0919-2160440. E-mail uaccd.binan@gmail.com or visit http://uaccd.multiply.com.


Sunday, October 17, 2010

One of Nokia’s most powerful women is a Filipina

Philippine Daily Inquirer, 10.17.2010

Carol Soriano, Nokia head of consumer communications, based in Helsinki, Finland. Photo taken at the annual global conference Nokia World, held this year in London, UK.

SHE’S THE ONLY Filipina, and Asian, in the powerhouse sales and marketing team of phone giant Nokia, based in Helsinki, Finland. The Nordic country is so far away from the Philippines, and so cold, that Carol Soriano, 39, says she didn’t want to relocate at first, despite the generous offer for her to be part of the top management team at Nokia House, the company’s headquarters in Helsinki.

But now, says Soriano, she’s in a very happy place, and she couldn’t have made a better decision in her life.

As head of consumer communications, Soriano oversees the worldwide marketing activities of Nokia. In the central sales and marketing group at Nokia House consisting of eight men and three women, she is the only Asian. The company’s management, too, is predominantly male (and Finnish), but Soriano says Nokia itself is a truly global company, with employees from virtually every part of the globe.

“It’s a very open, egalitarian workplace, which is reflective of Finnish society as a whole,” she says.

Soriano started with Nokia in 2003 as marketing communications manager in its Singapore office. Before that, she was a Legal Management graduate from Ateneo who wanted to pursue Law. Instead, she ended up teaching Medieval History in the same school while doing advertising work on the side.

After four years of juggling two jobs, Soriano went into marketing full-time.

When her ad agency sent her to its Singapore office, Soriano became part of the team that handled Nokia, a major client. Soon, impressed with her work, the Finnish company hired Soriano and made her head of marketing for a new line of handsets. In 2004-2005, Soriano took charge of rolling out Nokia’s blockbuster N series in the region. It did extremely well, and led to the offer to move to Finland in 2006.

“Before, I was just into implementing marketing programs. Now, I would help create what was being moved out from Finland, such as the N95,” she says of the job that awaited her in Helsinki.

In 2008, she became VP for creative excellence, where she had approving power for all the advertising campaigns of Nokia worldwide.

Barely a year later, she was promoted again, as head of global marketing activation. And, just this August, she got a new title: head of consumer communications—both jobs, she explains, “global roles covering activities across all markets.”

Safe environment
It took Soriano some effort to adjust to the country. The warmest the weather could manage was 16 degrees Celsius a few summers back--“and Baguio weather pa din sa akin ’yon,” she says.

The Filipino community is also small, around 500 people.

“But when you move there, that’s when you find out what’s good about it,” she says. “For one, it’s a very safe environment. Two, it has the highest standard of education in the world.”

Soriano and her Filipino husband (who relocated with her and works with a Finnish advertising firm) has a seven-year-old son. “Their school days are short; the emphasis is on discovery,” says Soriano. “When kids go to school, they take off their shoes! The idea is to make them relax.”

Soriano says the country’s high level of public safety also allows her greater freedom in rearing her kid. “In a Manila mall, truthfully, I’d never be able to let go of my son. But there, I feel safe about letting him walk to a neighbor’s house to play, and be gone for three hours.”

A democratic socialist country, “Finland is the closest I’ve seen to a classless society,” says Soriano. “There are no gated communities. What’s amazing is that, as long as you do well, you become like the rest--entitled to all the privileges of the others. Also, in my case--most Finns don’t know much about the Philippines, except the fact that the first Miss Universe [Armi Kuusela] married a Filipino. So there are no preconceived notions yet about our country and about me. Unlike, say, in Singapore, where no matter how hardworking and successful you are, some people still think you’re the woman that cleans their toilet.”

High taxes
Finland levies some of the highest taxes in the world--up to 65 percent, depending on salary level--but the system supports universal health care and education, among other citizen comforts, and a functioning society that works hard to erase class inequalities.

“You can even find out the compensation of Nokia’s top executives and those in other companies,” says Soriano, laughing. “It’s published online, down to the last Euro.”

Such transparency not only discourages citizens from committing graft, for instance, or evading tax obligations. Soriano cites the case of a top Nokia executive who was caught speeding and fined the jaw-dropping sum of 120,000 Euros (about P8.4 million). The amount was based on a percentage of his published annual salary, which the traffic cop could access right there on the street.

“It’s 120,000 Euros!,” exclaims Soriano. “But it teaches you to follow the law.”

Four years into her Helsinki stay and Soriano says it’s hard at this point to say if she’d want to move back to Manila. She does try to visit family and kin at least once a year, but, as she puts it, with striking understatement: “I could never imagine getting to this point. I thought I would be a lawyer. But this is nice work to have, and not a lot of people get this kind of opportunity. Perhaps I’ll give it some more years. I’ve a good job na e.”

PLUS: The Nokia N8--“In smartphone wars, a new killer weapon”

Saturday, October 16, 2010

Grit and glory

[Note: today's Inquirer editorial]

THE ASSOCIATED PRESS has called it “the longest underground nightmare in history”--but with a miraculous caveat. “It ended safely--and faster than anyone expected.”

Indeed, the saga of the 33 Chilean miners trapped for 69 days at an unimaginable depth but now rescued through a risky but flawlessly executed operation, with no loss of life, has captured the imagination of the world as no other recent happening has. Not since the final game of the last World Cup in South Africa has the global community been riveted by real-time images of a single event transpiring on television screens everywhere.

The miners, virtually unknown before this incident, have emerged into a world completely different from the one they had last seen. Now, they’re being feted as heroes and celebrities, embraced and congratulated by heads of state and various dignitaries, their stories and reminiscences about their underground ordeal becoming instant fodder for the 24/7 global news and entertainment mill.

To be sure, the story of how they survived for more than two months at a depth of some 300 meters--how they escaped when the mine collapsed; how they kept their wits about them in the deadening, dead-air darkness; how they interacted with each other and managed to keep the whole group intact and apparently in high spirits through the long, lonely wait for rescue; and, up above, how their families and kin rode out the days of anguish and pain--the sheer panorama of human drama in this story cries out for a neat, sweeping summation, an easily digestible moral lesson.

Even now, even as the TV cameras have yet to decamp from the premises of the San Jose Mine in Chile, their lenses still on the prowl for one more heart-tugging scene to be milked from this instant classic of a world event, it’s not farfetched to think this incredible tale of grit and glory is already on its way to being remade and filtered through the default story-telling instruments of our time: a fine-grained non-fiction book, perhaps, a soaring inspirational movie, a video game--or, more tawdrily, a reality show a la “Survivor,” but this time involving crumbling mine shafts and trapped miners of various ethnicities and persuasions sniping at each other through their ordeal.

Amid the crush of klieg lights and microphones, the plea of Mario Sepulveda, the second miner to be rescued, was bracing to hear: “The only thing I’ll ask of you is that you don’t treat me as an artist or a journalist, but as a miner,” he said. “I was born a miner and I’ll die a miner.”

Ironically, Sepulveda has emerged as the most loquacious and quote-worthy of the rescued group, his assured, wisecracking TV interview right after his ride to safety all but assuring him a long career as a valued guest or interviewee in worldwide programs and newscasts that are bound to revisit, ad nauseam, his and his co-workers’ forced entombment.

There is no gainsaying, of course, the authentically edifying nature of their amazing story. A world more often caught in a daily blizzard of bad news, of unending tales of misery and famine and wars and governmental rot, cannot be blamed if it finds itself caught up in collective jubilation, erupting in whoops of joy at the hour-by-hour ascent from the darkness of men so obscure and ordinary before this time that, were it not for this gripping accident, they would never have merited a second look.

These brave men deserve the heartfelt cheers that welcomed them back to the light of day. But, henceforth, they also deserve to be left alone--for a while, or for as much as they want to. They need time and space to get their bearings back, to savor simple private joys in the company of family and friends, to re-orient themselves to a radically different environment where their changed status might now prove a source of new burdens and strains on their battered spirits. They survived, all right, but they also went through so much. The world should let them catch their breath for now.

Beyond the general exhilaration and feelings of warmth at the happy conclusion of this saga are questions that need to be answered: Why do miners continue to be subjected to such terrifying risks? What safety standards were neglected and how thorough were the security preparations that a mine that far down could cave in and entomb 33 human beings, beyond ordinary rescue for 69 nightmarish days?

The families of 29 of the 33 workers have reportedly filed suit against the mine operators, seeking $12 million in damages. After the euphoria, the hard truths. May they emerge intact and unscathed as well.


Alfonso Avalos (R), father of Chilean miner Florencio Avalos, and Wilson Avalos, brother of Florencio, embrace each other after Florencio was brought to the surface on October 13, 2010 following a 10-week ordeal in the collapsed San Jose mine, near Copiapo, 800 km north of Santiago, Chile. Avalos was the first of 33 to be lifted to the surface. By Hector Retamal/AFP/Getty Images. [Photo h/t: The Daily Dish]

Thursday, October 14, 2010

Atlantis Productions' A Little Night Music opens tomorrow at RCBC Theater


Atlantis Productions' staging of Stephen Sondheim's masterpiece, "A Little Night Music," opens tomorrow, October 15, and runs until October 31 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City.

Leading the cast is movie star Dawn Zulueta, who plays the part of Desiree, a faded actress who gets to sing the iconic song "Send in the Clowns" in Act 2 of the musical. This is Dawn's return to professional musical theater since playing Elsa Montes in "Larawan: The Musical" over 10 years ago.

Joining her are a strong line-up of established names in Philippine theater: Noni Buencamino, Cris Villonco, Jake Macapagal, Jenny Jamora, Felix Rivera, Jay Glorioso, Raul Montesa, Teenee Chan, Agnes Barredo, Jenny Nuyda, Glen Llanes, Alys Serdenia, Crystal Paras, Bea Garcia and Anthony Tarrosa Ong.

Inspired by Ingmar Bergman’s film "Smiles of a Summer Night," "A Little Night Music" follows the romantic liaisons of early 20th-century Swedish couples. A middle-aged lawyer, Fredrick (Noni Buencamino), a glamorous actress Desirée (Dawn Zulueta) and her lover, Count Malcolm, converge upon a country estate. Once there, their intertwined affairs play out in ways both whimsical and tragic.

First staged on Broadway in 1973 and winning 6 Tony Awards including Best Musical, "A Little Night Music" was recently revived, with Catherine Zeta-Jones bagging the Best Actress in a Musical honors for her portrayal of Desiree. She's been replaced in the current Broadway revival by another Broadway luminary, Bernadette Peters.

"A Little Night Music" is directed by Bobby Garcia. For tickets, call Atlantis Productions 8927078 or 8401887.


PLUS: A Weekend in the Country, the enchanting ensemble piece that ends Act 1--in the first vid, performed by Beverly Lambert, Michael Maguire, Maureen Moore, Regina Resnik, Kevin Anderson, Susan Terry, Danielle Ferland et al, from the 1990 Lincoln Center presentation; the second (more recent) vid, from the BBC Proms celebration of Sondheim's 80th birthday, featuring a modern-dress concert version led by those British thespians--Maria Friedman, Simon Russell Beale, Caroline O'Connor, Daniel Evans, Julian Ovenden and Jenna Russell.

(I'm looking for a third must-see version, the one performed at the 1992 Sondheim: A Celebration at Carnegie Hall concert. Expert staging by Susan Stroman, later of The Producers fame. But, while the other concert numbers are on YouTube, this one ain't!)





Children's Month activities ongoing at PETA Theater Center

In celebration of children’s month, the Philippine Educational Theater Association (PETA) through it’s Children’s Theater Program, is hosting a series of workshops, performances and arts activities for children, youth and adults this October. Titled "Kayang-Kayang Kabayanihan," the program focuses on developing creativity, participation and resiliency among children and young people, and how each one, young or old, can be heroes.

Through different games, performances and workshops, :Kayang-Kayang Kabayanihan will provide a space for children and for those young at heart who work with children to tap into the little hero inside of them and to nurture that towards building characters of confidence, goodwill, pride and dignity.

Last October 9, children ages 9-16 years old were treated to a series of workshops and performances facilitated by PETA, Anino Shadowplay Collective, Kuwentista ng mga Tsikiting and Ilustrador ng Kabataan. The workshops included Kulay at Krokis- Creating Characters for Stories, Kathang Katawan-Storytelling and Improvisation for Children, and Anino at Karilyo-Shadow Puppetry Workshop, plus various performances including PETA’s award-winning play "Batang Rizal."

The second leg of the festival will focus on the young at heart, youth and adults 16 and above, who will be involved in various discussions and interactive forums. On October 15, participants will be sharing processes and stories about using the arts to help heal trauma among children and young people. Workshop topics will include Creative Writing Workshops with Children with AD/HD, Understanding Positive Discipline, Creative Approaches in Helping Girl Survivors of Sexual Abuse and Psychosocial Intervention as Disaster Response in Communities.

The last day of the festival will be for educators. Lectures and workshops will focus on Developing Creative Modules and Activities for Children with topics ranging from Developing Stories for Children, Visual Arts for Children to Shadow Puppetry. The day will end with the performance of PETA’s Palanca award-winning play, "Rated:PG."

For festival pass and ticket reservations, call PETA’s Marketing and Public Relations Office 7256244, 4100821-22 or 0917-8044428. E-mail petatheater@gmail.com.


Wednesday, October 13, 2010

Hail, Mr. Producer: (Missing) Diaghilev at the Victoria & Albert Museum

Who but the world's greatest impresario could attract stage sets by Braque, costumes by Chanel and choreography by Massine, all to guide and enhance the faltering steps of a young Russian composer?

Serge Diaghilev... celebrated in a beautiful new show which has just opened at the V&A [Victoria & Albert Museum]... was a tastemaker, a despot, a hustler and a genius: he not only “jump-started Western ballet”, as the critic Joan Acocella has said, “but he staffed it”. He gave Nijinsky and Pavlova to France and the world, but he also gave Marie Rambert to Great Britain, George Balanchine to America, Léonid Massine to Hollywood and Monte Carlo, and Stravinsky to himself. It might be time to say that the great avant-garde artist of the 20th century was not really an artist at all, but a producer.


-- “Diaghilev: Lord of the dance," Andrew O'Hagan, The Guardian

[Portrait of Serge Diaghilev by Valentin Serov]

Add to the short list of once-in-a-lifetime opportunities I missed with my all-too-brief stay in London--the Les Miz 25th Anniversary Concert at the O2 Arena, a trip to Bath and Stonehenge, touring the Tower of London (though I did get a rare summer-only peek at what's inside Buckingham Palace)--was an upcoming exhibit on the great Russian impresario Serge Diaghilev at the Victoria and Albert.

The exhibit opened this week, some 18 days after I had left London--major major bummer. Let me share with you instead some pictures I took of the V&A Museum. (First batch--lots more to follow.)

Photography without flash was allowed inside the building. Entrance was free, which is true of all the museums in London. How good of the city to make its arts and cultural heritage accessible to all! The only galleries at the V&A where you had to pay for tickets were those hosting the visiting exhibits on Grace Kelly as style icon and some Raphael tapestries on loan from the Sistine Chapel. Picture-taking wasn't allowed at these exhibits because, as the very accommodating front desk woman told me, “the items there are not owned by the museum, so we have to be careful with them.”

May I urge you to read as well Andrew O'Hagan's masterful appraisal (link above and here) of the singular, and singularly complex, man behind the Ballets Russes--“the champion of all things beautiful [who] transformed not only ballet but all the arts in the 20th century.”

The magnificent facade of the V&A Museum, with banners announcing the forthcoming Diaghilev exhibit. The building was built in 1899-1909, with Queen Victoria herself, on the 62nd year of her reign, laying the foundation stone.

The main lobby of the museum. The sculptural glass chandelier hanging from the central dome is a modern and temporary addition; at the time I was there, works by contemporary artists were on display at strategic corners of the V&A, often strikingly juxtaposed with the Old-World interiors (such as this ceiling decoration) but never detracting from the imposing architectural integrity of the museum.

Even before you reach the reception desk, if you happened to glance sideways, you'd notice two staircases on the left and the right. Since entrance to the museum is free, you don't even have to drop by the front desk, unless you're going to the special paid exhibits, which require tickets. You can go right ahead and climb the staircases to the second floor balcony, which rewards you with these views.

On the right side of the lobby is the first major gallery containing various European sculptures, busts and statues, church altars, choir screens, marble sarcophagi of knights and nobles, mostly from the Medieval period and beyond. The second picture shows how well the space was planned and is lit, allowing for greater up-close appreciation of the art treasures.

A banner in one of the corridors announces the Diaghilev exhibit. It wouldn't open until some three weeks later, but this early, the museum's bookshop and souvenir store had already made available to visitors the book/catalogue that would accompany the exhibit. Now, that is advance marketing.

After three hours of exploring the V&A, a last look at that venerable building. Up next: the British Museum. Before the V&A visit I had, entirely by accident, seen Princes Charles and William at a military ceremony in front of Westminster Cathedral (how many first-time London visitors could claim that?). Now I was off to see, among others, the Rosetta Stone and the Elgin Marbles. It was 1 p.m., and my hectic last day in London was turning out to be a triumph of exhilaration over exhaustion. Later in the evening, I still had Covent Garden to explore and, finally, the stupendous cherry on top, a ticket to the National Theater's Olivier Award-winning production of War Horse. Life was--is--good.

Oct. 24 show of The Wedding Singer to benefit young Marketing scholars

The Markprof Foundation is raising funds by selling tickets to the October 24 show of 9 Works Theatrical's "The Wedding Singer." Proceeds from this show will go directly to funding this year's 7-weekend Marketing and Sales Leadership Boot Camp for young marketing trainees.

Every year, the foundation looks for 25 graduating college seniors from all over the country, to give them an exclusive, once-in-a-lifetime opportunity: learn cutting-edge marketing skills from the country’s most respected sales and marketing practitioners, for seven straight weekends, 100-percent free of charge.

This Marketing and Sales boot camp covers advanced topics and industry trends that are not taught in their universities, and would not have otherwise been accessible to them. Throughout their boot camp, Markprof provides the trainees with professional mentors that will guide them and help them maximize their learnings. The foundation has produced six batches of exceptional future leaders, and is now on its way to training the 7th batch of 25 trainees.

Markprof also challenges hiring trends that have put a premium on an applicant’s alma mater rather than his own personal merit. Their scholars, regardless of background, have been proven to deliver solid results and elicit positive change in their respective fields, giving companies more and more confidence in Markprof’s seal of approval. This gives the foundation’s talented graduates, who were not able to attend the school of their choice due to financial constraints, a chance to receive employment that someone of their caliber deserves.

Diosdado Salvador, Jr. (Former ASEAN president, Johnson & Johnson) and Josiah Go (renowned marketing guru) founded Markprof Foundation in 2003 to help uplift Marketing education in the country.

Watch 9 Works Theatrical's "The Wedding Singer" on October 24 to help the Markprof Foundation develop future leaders. The show is on October 24, 8 p.m., at the Meralco Theater.

Visit www.markprof.org to view seatplan and reserve seats.


Monday, October 11, 2010

Cast members of Rep's Little Women sing excerpts from the musical

I was embarrassingly late to the 11:30 am presscon at Greenbelt's MyCinema, so I failed to catch the brief program which featured the cast members of Rep's forthcoming production of Little Women (the 2005 musical, not a straight-play adaptation of the Louisa May Alcott novel) singing songs from the musical. Good thing Rem Zamora of Rep has uploaded the vids on YouTube.

1. Five Forever: Caissa Borromeo as Jo, Cara Barredo as Beth, Kelly Lati as Amy and Lora Nicolas as Meg, with Jaime Barcelon as Laurie



2. Pinky Marquez as Marmee, the girls' indomitable mother, singing Here Alone, which '70s pop hitmaker Maureen McGovern first gave life to (with her “imperial, burnished tone,” says Amazon) on Broadway.



3. Caissa Borromeo as eldest sister Jo sings Astonishing, the power ditty that closes the first act, with director Menchu Lauchengco-Yulo introducing the number.



With music by Jason Howard, lyrics by Mindi Dickstein and book by Allan Knee, “Little Women” runs Nov. 20-Dec. 12, 2010, Fridays and Saturdays at 8 p.m., with matinees at 3:30 p.m. on Saturdays and Sundays, at Onstage, 2/F Greenbelt 1, Ayala Center, Makati City.

Gerard Salonga conducts the FILharmoniKA orchestra. New York City-based Joey Mendoza handles set design, while Tuxqs Rutaquio does costume design and John Batalla does lighting design.

For ticket inquiries and other information, call Repertory Philippines 5716926, 5714941 or e-mail info@repertory-philippines.com. Tickets also available at Ticketworld 8919999 or www.ticketworld.com.ph.


Twinbill from UP Dulaang Laboratoryo

UP Dulaang Laboratoryo will stage the twinbill "Wanted: Lady Bed Spacer" (an adaptation of Amelia Bonifacio’s "Rooms") by Carlo Garcia, and Pat Valera’s "Mga Lobo Tulad ng Buwan" from October 14-October 17, 2010 at Teatro Hermogenes Ylagan, Faculty Center, UP Diliman.

"Wanted," which will serve as the acting thesis of three female performance majors, will tackle questions of aspiration, sexuality and independence during the adolescent stage. "Mga Lobo Tulad ng Buwan," meanwhile, reflects on the memories and implications of the Sulpicio Lines MV Princess of the Stars tragedy in 2008.

UP Dulaang Laboratoryo serves as an auxiliary training ground for Theater Arts students enrolled in thesis, special projects, directing, acting, lighting, production design, and production management courses. Under the supervision of a faculty member, productions are mounted at the end of the semester as final requirement. These two productions will be under the supervision of Dr. Alexander Cortez.


Friday, October 08, 2010

23rd (2010) Aliw Awards--complete and official list of finalists

BEST NON-MUSICAL PRODUCTION
Equus, Repertory Philippines
Carmi Martin, CCP Virgin Labfest
Ang Post Office, PETA
Suor Clara, CCP Virgin Labfest
Madonna Brava ng Mindanao, Tanghalang Pilipino
Mary Stuart, Dulaang UP

BEST MUSICAL PRODUCTION
Baler sa Puso Ko, Angara Foundation
Walang Sugat, Tanghalang Ateneo
N.O.A.H., Trumpets
Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto, PETA
Enzo Santo, Philippine Stagers Foundation
Beauty and the Beast, Gantimpala Theater Foundation

BEST ACTOR, NON-MUSICAL
• Miguel Faustmann, Equus
• Paul Jake Paule, Carmi Martin
• Bodgie Pascua, Ang Post Office
• Bembol Roco, Balunbalunan, Bingi-bingihan
• Alex Cortez, Lulu
• Tuxqs Rotaquio, Lulu

BEST ACTOR, MUSICAL
• Roeder Camanag, Banaag at Sikat
• Al Gatmaitan, Baler Sa Puso Ko
• Rey Angelo Aurelio, Zwardeenah
• Robert Sena, Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto
• Audie Gemora, Sweeney Todd
• Kierwin Larena, Enzo Santo

BEST ACTRESS, NON-MUSICAL
• Angelina Kanapi, Sundan Natin si Ever-san
• Frances Makil Ignacio, Suor Clara
• Cai Cortez, Ondoy
• Ana Feleo, Master Class
• Shamaine Centenera Buencamino, Madonna Brava ng Mindanao
• Ana Abad Santos, Mary Stuart

BEST ACTRESS, MUSICAL
• Ayen Munji-Laurel, Banaag at Sikat
• Nikki Gil, Legally Blonde
• Liesl Batucan, Baler Sa Puso Ko
• Sheila Francisco, N.O.A.H.

BEST STAGE DIRECTOR (NON-MUSICAL)
• Lutgardo Labad, Ang Post Office
• Audie Gemora, Equus
• Paul Santiago, Carmi Martin
• Floy Quintos, Suor Clara
• Dexter Santos, Lulu
• Michael Williams, Master Class

BEST STAGE DIRECTOR (MUSICAL)
• Phil Noble, Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto
• Dan Rommel Riopay, Zwardeenah
• Chari Arespacochaga, Legally Blonde
• Vince Tanada, Enzo Santo
• Jaime Del Mundo, N.O.A.H.

BEST CLASSICAL PERFORMER (Male)
• Dondie Ong
• Jonathan Badon
• Randy Gilongo
• George Yang
• Jon Joven
• Arthur Espiritu

BEST CLASSICAL PERFORMER (Female)
• Fame Flores
• Camille Lopez-Molina
• Lara Maigue
• Tea Perez
• Nenen Espina
• Karla Gutierrez

BEST CHILD PERFORMER
• Martin Delos Santos
• Gabby Bautista
• Jewel Tomolin
• Jude Matthew Sevilla
• Mika Roi Torre

BEST NEW ARTIST
• Jovit Baldivino
• Marvin Ong
• BenJ
• Aretha T. Anceo
• Catherine Loria
• Alakim

BEST NEW ARTIST (Group)
• Juan Pablo Dream
• E L R 8

BEST CHORAL GROUP
• PAL Chorale
• PNU Chorale
• UP Singing Ambassadors
• DFA Chorale
• Sta Teresita Choral Group

BEST DANCE COMPANY (Classical /Folk)
• Ballet Manila
• Philippine Ballet Theater
• Halili Dance Company

BEST DANCE COMPANY (Contemporary/Modern)
• Bungkos Palay
• Hotlegs
• EB Babes
• Airdance
• U.P. Filipiniana Dance Groupe

BEST CULTURAL GROUP
• Himig Ariel
• Tanghalang SLU-Baguio City
• Quezon City Performing Arts Guild-Quezon City
• St Dominic Savio College Cultural Group
• Sining Kabpapagariya-General Santos City
• Dagway Sigmahanon-Capiz

BEST INSTRUMENTALIST
• Jay Cayuca
• Nonoy Libanan
• Noelle Cassandra
• Ian Jacinto
• Mary Ann Espina

BEST EMCEE (Female)
• Issa Litton
• Ladine Roxas
• Toni Gonzaga
• Miriam Quiambao
• Tessa Prieto Valdez

BEST EMCEE (Male)
• Boy Abunda
• Luis Manzano
• Marc Nelson
• Sam YG
• Mo Twister
• Tim Yap

BEST STAND-UP COMEDIAN (Male)
• Jon Santos
• Vice Ganda
• Ate Glow
• Pooh
• Chokoleit

BEST STAND-UP COMEDIAN (Female)
• Beverly Salviejo
• K Brosas
• Pokwang
• Candy Pangilinan
• Tuesday Vargas

BEST CONCERT STAGE DIRECTOR
• Louie Ignacio, La Diva
• Jobert Sucaldito, One Special Celebration
• Rowell Santiago, Mega Drama
• Rico Gutierrez, Record Breaker
• Bobby Garcia, Your Song

BEST MUSICAL DIRECTOR-CONCERT
• Danny Tan, La Diva
• Louie Ocampo, Mega Drama
• Mark Lopez, Ogie Live With the Idols

BEST PERFORMER IN HOTELS, MUSIC LOUNGES, BARS (Female)
• Christine Love
• Maricel Cruz
• Ana Castro
• Nona Galan
• Michelle De Guzman

BEST PERFORMER IN HOTELS, MUSIC LOUNGES, BARS (Male)
• Nyoy Volante
• RJ Jacinto
• Noel Cabangon
• Arthur Manuntag
• Lemuel Santos

BEST PERFORMER IN HOTELS, MUSIC LOUNGES AND BARS (Group)
• Merks & Friends
• Route 70
• Shane & the Brown Union
• Draybers
• Rhythm and Babes
• Flintstones

BEST PERFORMANCE IN A CONCERT (Male)
• Miguel Aguila
• Nyoy Volante
• Richard Poon
• Nonoy Libanan
• Jed Madela

BEST PERFORMANCE IN A CONCERT (Female)
• Marissa Sanchez
• Olivia
• Sitti
• Karyle
• Imelda Papin
• Verni Varga

BEST PERFORMANCE IN A CONCERT (Group)
• The CompanY
• Ryan Cayabyab Singers
• La Diva
• Angelos

BEST COLLABORATION IN A CONCERT
• Jose Mari Chan and Claire Dela Fuente, Simply Unforgettable
• Maricris Garcia, Jonalyn Viray and Aicelle Santos, La Diva
• Pilita Corrales and Rico J. Puno, Diva & D Debonaire
• Pilita Corrales, Mitch Valdez and Nanette Inventor, Juicy Cat Dolls
• Gabby Concepcion, K Brosas and Vice Ganda, Gabby K Ganda

BEST MAJOR CONCERT (Male)
• Ogie Alcasid, Ogie Live With the Idols
• Vice Ganda, May Nag-text!
• Arnel Pineda, Journey

BEST MAJOR CONCERT (Female)
• Lea Salonga, Your Songs
• Sharon Cuneta, Mega Drama
• Sarah Geronimo, Record-Breaker
• Charice, Valentine Concert

BEST COLLABORATION IN A MAJOR CONCERT
• Sitti, Aiza Seguerra and Juris, Sessionista
• Freestyle, Side A Band, Nina, Love 2 Love 2 Love
• Gary Valenciano and Martin Nievera, As 1
• Basil Valdez, Verni Varga, Joey Albert, Gino Padilla, OPM Through the Years
• Martin Nievera and Pops Fernandez, Valentine Concert

Wednesday, October 06, 2010

Labfest nominations, more Lea/Fantine, Streisand in her prime

[Update below]

1. Congratulations to the Virgin Labfest 6 plays, directors and performers nominated in this year's Aliw Awards. The Virgin Labfest itself is getting a special citation on the awards night scheduled for October 18.

Paul Jake Paule, Best Actor--Carmi Martin
Frances Makil-Ignacio, Best Actress--Suor Clara
Mailes Kanapi, Best Actress--Ever-San
Cai Cortez, Best Actress--Ondoy
Floy Quintos, Best Director--Suor Clara
Paul Santiago, Best Director--Carmi Martin
Suor Clara, Best Non-Musical Production
Carmi Martin, Best Non-Musical Production

Thanks to Rody Vera, Virgin Labfest prime mover, for this list. We have to ask: Where can one find the complete list of nominations? I've searched online--nada there. Aliw has no website, and it looks like it hasn't sent out any press release on the nominations, either. Who else from local theater have earned a slot on the list?

2. For the reader who e-mailed me requesting an audio clip of Barbra Streisand's original version of He Touched Me--well, here it is, Barang's astonishing pipes (she was merely in her 20's when she recorded this) transforming the song into a thrillingly symphonic statement.



3. More Lea/Fantine--the other scenes in the Les Miserables 25th Annniversary Concert (aside from her showstopping I Dreamed a Dream) where Fantine is in the spotlight. At this point, the only major Fantine scene missing on YouTube is Come With Me, her deathbed duet with Valjean (played by Alfie Boe in the concert). Anyone who has that scene on video--share, please? The melody there, in any case, is repeated in the finale, where the ghosts of Fantine and Eponine (Katie Hall) beckon to a dying Valjean. Lea's voice here, and her gorgeous presence on the giant screen, are to die for. (The slim-voiced Nick Jonas is Marius, Camilla Kerslake is Cosette).

[Update--corrections by Lea herself: Samantha Barks played Eponine, Katie Hall was Cosette. Camilla Kerslake was indisposed and couldn't perform. Hall was her last-minute replacement.]







PLUS: The TV promo for the Les Miz 25th Anniversary celebrations, with spots by Lea, Nick Jonas, Alfie Boe, Camilla Kerslake, Jenny Galloway and Matt Lucas (Mme. and Mssr. Thenardier), Norm Lucas (Javert), as well as the creators--producer Cameron Mackintosh, composer Claude-Michel Schonberg and lyricist Alain Boublil (in French--the English lyrics are by Herbert Kretzmer).



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